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Tenth Grammy Block Celebration
By Jane E. Powell
May 13, 2008 - People attending the 10th Grammy Block Party found Gretchen Wilson, Montgomery Gentry, Three Doors Down, Lady Antebellum and local artist, Damien Horn on stage. Moving the location this year to the Owen Bradley Park on Music Row was an excellent decision for party goers that were a mix of Nation Academy of Arts and Sciences (NARAS) members and their guests. That was typical, but the magnitude of the performances provided and the number of headlining acts, along with the fact that the range of musical styles was broader than seen in the past, so lots of musical palates could be satisfied.
Sometimes the simplest way to show an evening of wonderful music is to just let you look at the pictures.
Gretchen Wilson
Montgomery Gentry
Three Doors Down
Lady Antebellum
Damien Horne
Grechen Wilson's Set List * Montgomery Gentry's Set List* Three Doors Down's Set List *
1. Here For The Party 1. Big Revival 1. Landing In London
2. Place In The Whiskey 2. If You Ever Stop Loving Me 2. Away From The Sun
3. California Girls 3. Something To Be Proud Of 3. Be Myself
4. Trucker Man 4. Lucky Man 4. Not My Time
5. Outlaws & Renegades 5. Now Your Talking
6. Work Hard, Play Harder 6. Long Line of Losers
7. Separate Ways 7. What Do Ya Think About That
8. Barracuda 8. Hell Yeah
9. All Jacked Up 9. Hillbilly Shoes
10. Redneck 10. My Town
11. Rock N Roll 11. Gone
* Transcribed from actual set lists
© 2008 Photos by Jane E. Powell
Interview with Linkin Park
By Jessica Baird
February 24, 2008 - Innovation is nothing new for Linkin Park, the hard rock band behind such mega-selling albums as 2000’s Hybrid Theory, and 2003’s Meteora. Currently, the band is on the road in support of their most recent release, Minutes to Midnight. In a phone interview with band members Chester Bennington and Mike Shinoda, it’s clear that the genre-bending band is ready to rock the Sommet Center on Tuesday, Feb. 26.
“It’s going to be fun for us to get back into arenas and really take advantage of our production elements and the sound quality that that brings,” said Bennington, the band’s frontman.
A majority of the performances are going to be performed in the round, with fans surrounding the band on all sides. This set-up is new for the band, and will bring them even closer to their rabid fans.
In addition to this more intimate set-up, fans will have the added bonus of retrieving their concert experience in their e-mail inbox. The band is offering a digital souvenir package which fans can purchase while buying their tickets. Bennington and Shinoda each discussed their excitement for this new take-home-concert concept.
“You go to the show, enjoy that, come home, and in your inbox you’ll have a link to the MP3s of our set from the show you went to,” Bennington said.
“We actually put a lot of attention on our live show this time around, ever since we came out of the studio, we were really excited about different ways we could keep the show fresh,” said Shinoda, backing vocalist and multi-instrumentalist in the band.
The digital souvenir package isn’t the only thing that’s got Linkin Park ready to rock. The band is also excited about playing songs off their newest album. An album, which Bennington explained, was not only a labor of love, but also a time for the band to venture into uncharted territory with legendary producer Rick Rubin.
“We had a lot of records sold behind us, [and] we kind of knew that we were in a special position,” Bennington said. “This was our chance. We saw that moment and we seized it. We took the time, and we exhausted every avenue. We blazed new paths and tried new things. I think Minutes to Midnight speaks for itself because of that.”
The band’s desire to ‘blaze new paths’ helped launch Minutes to Midnight to No. 1 on Billboard’s Top 200. The album also reached No. 1 in 32 other countries, and has since been certified platinum in 19 countries. The band’s staggering success is not lost on Bennington.
“I think people are opening up to the idea that we are a band that’s not afraid of extending ourselves and spreading our wings and pushing the boundaries of what is acceptable for us,” Bennington said. “Our fans, they stick with us through this process, and it’s pretty awesome.” Go here: Linkin Park
For concert dates and ticket information, log on to ticketmaster.
Singer/Songwriter Sarah Siskind
By Jane E. Powell
February 13, 2008 - Sarah Siskind performed before a full house at the Edgehill Studio on Music Row. Siskind is a talented singer/songwriter leaning towards Appalachian folk and gospel tunes. She writes her own material and plays guitar. One of the most appealing songs Siskind performed was a cappella and is currently unnamed. It spoke of roses and thorns and was a lonesome sounding ballad. Siskind has just the type of vocals that can carry off a ballad with that Appalachian folk feel. Not everyone can do this type of music. After the performance, Siskind remarked, "I’m really considering placing that particular song on my upcoming album." Siskind is talented and although she writes folk, bluegrass and gospel material; her songs could easily fall into other genres and will be very attractive to major artists looking for good material to record.
Go here: Sarah Siskind
© Photo by Jane E. Powell
Interview with Jason Darr of Neurosonic
By Jessica Baird
Photo courtesy of Susan Blond Inc.
January 10, 2008 - Having just celebrated their two-year anniversary, the hard rock outfit Neurosonic sure has accomplished a lot. The group was featured on the mainstage at the 2007 Family Values Tour, in addition to hyping up the rock crowds coast-to-coast, opening for Evans Blue. Now the Canadian quartet is on tour with Puddle of Mudd, and according to frontman Jason Darr, loving every minute of it.
“It’s been really amazing,” Darr said in a telephone interview. “To be one year into your first album and get to play for more people, it’s an honor.”
The band’s debut entitled, Drama Queen, was released in early 2007. Their single “So Many People” has since become a mainstay on the Active Rock Radio chart.
Darr attributes the group’s quick success to their original sound, a cross, he says, "between The Beatles and Nine Inch Nails."
“I just made music that I wanted to listen to. I have the good fortune to be around people that let me do that,” he said.
In addition to their innovative sound, Neurosonic’s high-energy performances are another essential ingredient in their recipe for success.
“[We have] a take no prisoners live show,” Darr said. The group’s performances are so intense and thrilling that Darr wants the audience to know that, “Neurosonic did everything they could to remove the skin from their faces.”
With passionate performances like these, it’s no wonder that hard rock heavy-hitters Korn took notice and recruited them for the Family Values Tour.
“All of us were so thrilled,” Darr said.
The group’s performance from the tour will be featured on the upcoming Family Values tour DVD.
As if constant touring wasn’t enough to keep Neurosonic occupied, Darr is also creating music for Bodog Fight and Bodog Battle, branches for the entertainment group Bodog Life. More information can be found at Bodog Life
For tour dates and ticket information on Darr and his bandmates, which includes guitarist Troy Healy, drummer Shane Smith and bassist Jacen Ekstrom, log on to Neurosonic
Foo Fighters Rock Music City
By Jessica Baird
January 26, 2008 - “You gotta bring some extra ammunition when you play a town like this,” said Dave Grohl, lead singer of Foo Fighters, during their sold-out Nashville performance. The band not only brought "extra ammunition" they brought a powder keg of high octane, fist-pumping rock ‘n roll.
Opening the show with “Let it Die” off their 2007 release Echoes, Silence, Patience & Grace, the band’s energy, and the crowd’s enthusiasm, never slowed down.
“There’s a lot of stuff we have to try and fit in to this rock ‘n roll extravaganza,” said Grohl. The near two-hour performance featured songs off all seven albums released by the band since their inception in 1995.
The band played several hard hitting sing-a-longs such as “Breakout” “The Pretender” and “Stacked Actors” from the main stage, before relocating to a smaller stage at the opposite end of the auditorium to play several acoustic tunes.
The stripped down versions of the classic Foo Fighters’s songs “Everlong” “Times Like These” and “My Hero” seemed to transform the sold-out auditorium into an intimate club with every voice passionately singing along.
The acoustic portion of the concert shifted the spotlight to drummer Taylor Hawkins during the song “Cold Day in the Sun” on which he sings the lead vocal. This song was another high point of the evening with Hawkins’ gravelly voice harkening back to pure 1970’s classic rock.
“All My Life” the first single released off the band’s 2002 album One by One, served as the final song of the night with Grohl growling, “It’s the last song. Let’s dance!” The crowd obliged with arms raised and heads banging.
In addition to stellar live performances, Grohl, Hawkins, guitarist Chris Shiflett and bassist Nate Mendel recently received five Grammy nominations for Echoes, Silence, Patience & Grace, including Album of the Year, Record of the Year, Best Rock Song, Best Rock Album and Best Hard Rock Performance.
The band is scheduled to play “The Pretender” during the 50th Annual Grammy Awards. The performance will be part of “My Grammy Moment,” a contest in which unsigned musicians can enter for the chance to perform onstage with Foo Fighters during the award show. John Paul Jones, of Led Zeppelin, will conduct the orchestra comprised of winners.
To view submissions and vote for the winner, log on to You Tube Grammy Moment. The 50th Annual Grammy Awards will air Feb. 10th on CBS.
Powell's Best of 2007
By Jane E. Powell
December 30, 2007 - I’m a true lover of good music and appreciate the efforts from anyone who sincerely loves their art form. Music fills our minds with pleasant thoughts or can stimulate contemplation on the more difficult paths in life, it fills chasms and tiny crevices alike. Music’s incise ability to capture and hold all ages, from birth until we reach our golden years is a just reflection on it’s importance. I always regret those songs I never heard. So with these thoughts in mind, here’s my choices of the best music I’ve heard in 2007.
1. Feist - The Reminder
This has been my most played album of the year in my home. Canadian born Feist, has made a sweeping appeal to the masses and they have received her with open arms. Her clear musical tones and the rich pop lyrics, simply grab us and hold us and I’ve found myself humming and singing along with Feist over and over. The album is solid and strong in every aspect and I never grow tired of the sounds. Its actually one of the best albums I’ve listen to in the last decade! Here I go again .... "1,2,3,4 ...."
2. Todd Fritsch-
Sawdust
Texan Todd Fritsch isn’t a commonly known name in America, but his talent has earned him the European Male Country vocalist award from the European Country Music Association. Rightly so, Fritsch has a jammed packed traditional country album filled with classic country tunes and his voice is simply amazing to listen to. It's smooth, rich and just like pure butter. Anyone who enjoys country will be very pleased to add this album into their music library.
Top 15 in 2007
By Mike McHugh
December 28, 2007 -
1. Enon – Grass Geysers…Carbon
Clouds
When I sat down to formally compile this list, I never expected to put Grass Geysers at its pinnacle. Nonetheless, the more I think about it and the more I listen to the album, the more I realize that there is not a poor song on here. I’ve always appreciated Enon’s dichotomy in sound as a song led by John is markedly different from one led by Toko. Grass Geysers promotes this dichotomy like no album before it as the two vocalists switch off almost every song. What likely helps to put Grass Geysers at the top position for me is that this album took a band that I originally was a modest fan of and turned them into a personal favorite.
Best Song: "Sabina."
2. Animal Collective –
Strawberry Jam
On the contrary, Strawberry Jam was my runaway favorite for the past few months. This album is so jaw-droppingly good that just when you think you heard the best song ever, the next one is even better. With each passing album, Animal Collective gets progressively less weirder and likely more accessible. While most die-hard fans would disprove of this, it has truly put the band among the indie elite at a near untouchable level.
Best Song: "For Reverend Green."
3. Melt-Banana –
Bambi’s Dilemma
Now there’s a lot of bias in this pick as Melt-Banana is my favorite band. Nonetheless, Bambi’s Dilemma takes the third spot here since the band was successful in the daunting task of following up the near-perfect Cell-Scape with a solid new album. Yasuko, the band’s lead singer, claimed that Bambi’s Dilemma would be "more rock" and we fans went into the album with a little trepidation, fearful that the band would lose its signature chaotic sound. Lucky for us, the album is as much an advancement as it is a throw-back in sound. It may not be as hard and intense, but the feeling of controlled chaos still exists. Just to make sure loyal fans would approve, the band, just as they do in their live shows, installed a set of short songs in Bambi’s Dilemma as five songs in a row each top out at under a minute.
Best Song: "Green-Eyed Devil."
4. Deerhoof – Friend
Opportunity
Like Melt-Banana, Deerhoof had to follow up a perfect and seminal album, The Runners Four. On top of that, the band lost its guitarist/bassist Chris Cohen who left to focus on his other band, The Curtains. Despite all this, Friend Opportunity arrived as the first great album of 2007 as it was released in late January. Every song is solid and features the anti-pop pop sound that makes the band so remarkably good. Deerhoof even tests some uncharted waters here with songs like "Whither the Invisible Birds?" and "Kidz are So Small."
Best Song: "The Perfect Me."
5. Secret Mommy – Plays
This is the album of the year for all you sampling and glitch fans. Andy Dixon is not only Secret Mommy, he is also a genius. Although he has already released a number of albums under the pseudonym Secret Mommy, I must admit that Plays is my introduction to his work. While I don’t know the first thing about creating digital music, Dixon’s attention to detail is extraordinary and overly impressive. Each song is so densely full of sounds that you will have to listen to it on repeat to make sure that you caught it all. What I especially love is the cohesiveness of Plays and how the songs come together to form one great whole.
Best Song: "Kool-Aid River."
6. Yeah Yeah Yeahs – Is
Is E.P.
People are usually surprised that I love Yeah Yeah Yeahs as much as I do, but this five-song E.P. proves why I hold the band in such adoration. I honestly feel this may be the band’s best work to date. Say what you will about YYYs, but you have to give the band credit for doing what they want while under the jurisdiction of a major label. As much as I loved Show Your Bones, I was disappointed that the band didn’t use Karen’s voice as an extra instrument as it had in the past. Yet, Is Is does just that as Karen often screams, squeals and yelps for an added effect that dramatically enhances each song. This is as good as an E.P. can get.
Best Song: "Rockers to Swallow."
7. !!! – Myth Takes
This is one band whose individual songs I loved but whose albums when played as a whole just seemed to drag on. Then Myth Takes came out and I finally got the complete album I have been waiting for. This is dance-punk (or funk punk as I call it in the case of !!!) at its finest. Its filled with sensual songs with driving beats to make even those of us with no rhythm whatsoever to get up and dance. I saw them live and it was one huge hipster dance party as every song featured no less than two drummers at any one time. *!!! is pronounced chk, chk, chk.
Best Song: "All My Heroes are Weirdos."
8. Black Moth Super Rainbow –
Dandelion Gum
I didn’t expect much going into this album considering I had never heard of the band prior to 2007 and that the band name and album cover were equally odd. Yet, Dandelium Gum is a densely layered concoction of spacey goodness. For an album to be primarily instrumental, it has to be extremely good in order not to bore me. Luckily, Dandelium Gum is indeed extremely good and the songs, unlike similar sounding albums, do not drag on forever. Most get in and get out at around two and a half minutes and for this I am grateful.
Best Song: "Melt Me."
9. The Avett Brothers –
Emotionalism
When I first listened to this album, I wrote it off since it didn’t bring the raucous energy of its predecessor, Four Thieves Gone, which caused me to fall in love with The Avett Brothers. Yet, I gave Emotionalism a second chance and I realized the error of my ways. I liken this album more to the band’s previous and extraordinary E.P. The Gleam rather than Four Thieves. This, by no means, is a bad thing. Emotionalism is phenomenal as the trio harmonizes through 14 tracks of love, loss and regret. These boys sure sound sad as Hades but they make blazing music and play a blend of alternative bluegrass as good as anyone.
Best Song: "Will You Return?"
10. Panda Bear – Person
Pitch
I got the chance to listen to everyone’s favorite album of 2007 as an advance for my undergraduate radio station and was wowed even before the album was released to general public. If not for the excruciatingly long "Bros," this album would be much higher on my list. You can definitely hear the remnants of Animal Collective in Noah Lennox’s (aka Panda Bear’s) arrangement of songs on Person Pitch. Yet, this album stands alone and proves that Panda Bear is not merely a side project but a legitimate and amazingly skilled artist in his own right. Person Pitch is as ethereal and dreamy as it is beautiful and impressive.
Best Song: "Comfy in Nautica."
11. The National – The
Boxer
This album came as highly recommended to me as any in recent memory. I had a number of friends with a respectable taste in music who were overly adamant that I listen to The Boxer. After finally giving in, I realized what the hype was all about. The most glaring aspect of The National is Matt Berninger’s inordinately deep vocals. While most bands would rely on a unique vocalist to carry a song, The National is able to produce beautifully constructed songs with impressive lyrics that are merely enhanced by Matt’s vocals. This album would be great no matter what, yet it is the voice that allows the band to stand out above the rest.
Best Song: "Mistaken For Strangers."
12. Los Campesinos! –
Sticking Fingers into Sockets E.P.
This is an awesome E.P. for anyone, let alone for a Welsh septet that seemingly came out of nowhere. The comparisons to Architecture in Helsinki will abound, but Sticking Fingers into Sockets is what Architecture’s Place Like This was supposed to sound like. This E.P., which features dueling male-female vocals, is overly cute and fun. It’s sure to put a smile on your face and a shimmy in your hips.
Best Song: "We Throw Parties, You Throw Knives."
13. Menomena – Friend &
Foe
Finally, after years of waiting, I get to see Menomena reach their potential and produce an album full of pop awesomeness. I stumbled upon their debut album I am the Fun Blame Monster years ago at Vanderbilt’s radio station and loved it through and through. After years of anonymity and a poorly promoted second album (who knew it even existed?), I wondered if Menomena would simply be a flash in the pan. Then Friend and Foe graced our presence early in 2007 and was plenty good enough to make many best-of lists. The album’s amazing opening draws in and gets you to commit to Friend and Foe’s ride of varying pace and song structure.
Best Song: "Muscle’n Flo."
14. Sunset Rubdown – Random Spirit Lover
Considering that everything he touches turns to gold, Spencer Krug continues to establish himself as my favorite song writer. He is the current hot name in the indie scene and seems as if he can do no wrong while garnering an ever-growing fan base. Yet, it’s all for good reason as Random Spirit Lover continues a string of amazing releases. The songs here are a little long for my tastes but most of the tracks are weird and eccentric, while continually building up from a slow start to a massive, overwhelming finish.
Best Song: "Up On Your Leopard, Upon the End of Your Feral Days."
15. Blonde Redhead – 23
In my opinion, Blonde Redhead is about as underrated a band as you can find. They’re really good and people love them, yet they don’t get nearly as much press as most indie bands. Here they come again with 23, another great release that appears to be far more produced than Blonde Redheads previous outputs. Do not let this deter you as 23 features a sweeping sound that seems to drift on forever. The band experiments here a little, with mixed reviews, but I welcome Blonde Redhead’s mettle.
Best Song: "Spring and By Summer."
Amy Grant Unveils New Book
By Jane E. Powell
October 20, 2007 - Amy Grant fans had a rare opportunity to meet with and hear Amy perform at her book signing at Hastings Books Music & Video in Murfreesboro. Grant is a multi-platinum contemporary Christian recording artist, who has just published a new book entitled "Mosaic ~ Pieces of My Life So Far." In the book Grant takes "snapshots" of important moments in her life and shares her reflections on their significance upon herself and those around her. It is not a true autobiography in the sense that each major step of her life is detailed and the course of her career outlined; but more of a revelation of intimate self and those things important to her. Often she includes the lyrics to her songs and a brief story of significance. Its an unusual approach and a very refreshing one.
During the two hour book signing she periodically performed and sang several of her well-known songs acoustically such as "Every Road," "Angels" and "Tennessee Christmas." Grant is a talented and personable performer and she was generous with the number of songs she performed and the stories she told. Grant’s keen sense of humor was evident throughout the evening and the standing room only crowd chuckled throughout the evening. Grant read excerpts from "Mosaic." All were very touching and moving; from her life with her five children, to time spent with close friends and her celebrity husband, Vince Gill. Grant’s compassion and caring for others, a humble persona and ability to make everyone feel special indicates quickly what a gracious lady she is.
Grant fielded questions from the crowd. I asked her one, as I had the opportunity "From the writing of this book, did she discover anything new about herself?" Grant replied, "that she had taken one day a week to write in a cabin by herself, with lots of quiet time and found out how important silence is in her life and how meaningful the results could be." This was evidently a surprise to her. Grant has been performing in public since she was a youth and is now in her mid forties . She remarked, "that her relationship with others and her impact on their lives, as being the most significant item of importance, when compared to her career." Basically, caring and compassion for others is important and that its those things that make a difference in our lives.
Grant had a child who was blind come to the mic and sing "Angels." She remembered seeing the same girl approximately one year ago and she sang the song at that time, Grant joined in on the chorus. Grant took time after the reading of her book to allow fans to meet with her personally. Gospel Music Network was filming the event during the evening as well. It was a special evening and two of the best hours I’ve ever spent with an artist! Go here: Amy Grant
~ Amy Grant ~
© 2007 Photos by Jane E. PowellSpoon's Journey Slow and SteadyBy Jessica Baird
Spoon Saosin, Norma Jean, Alexisonfire and Dear and Departed in Concert The Dear and Departed
Dan Under Darren Parkinson
Alexisonfire
George Pettit Chris Steele
Norma Jean
Cory Brandon Jake Shultz Schultz and Brandon
Cove Rever Alex Rodriguez Chris Sorenson Saosin*Alexisonfire Set List: *Norma Jean Set List:
1. You Burn First 1. Intro Sample (not gonna take it)
2. We Are The Sound 2. Like Swimming Circles
3. Mailbox 3. A Grand Scene For A Color Film
4. B*tches 4. Blueprints For Future Homes
5. Drunks 5. Sample (my first headache)
6. Boiled Frogs 6. Dilemmachine
7. Happiness 7. Songs Sound Much Sadder
8. Sample (and never put it down again)
9. Face Face/Geoff
10. Bayonet Work
11. A Small Spark Vs. A great Forrest
12. Memphis
©2007 Photos by Jane E. Powell
Backstreet Boys Return
By Jessica Baird
October 03, 2007 - After selling millions of albums, performing thousands of concerts and encountering countless screaming fans, the Backstreet Boys are back again with the release of their new album Unbreakable.
The group’s new release, their first since Never Gone in 2005, marks their 10th anniversary and, according to the Backstreet Boys in a telephone interview, the new album is also a departure from the days in which they were the reigning kings of MTV’s “Total Request Live.”
“We’re blessed to still be doing what we’re doing,” said Brian Littrell. This statement, especially, rings true for the Backstreet Boys. Considering the ever-changing music industry, and the fact that the group’s core audience of teenagers are now twenty-somethings, the fact that Backstreet Boys have been together for a decade is no small feat.
Their boy band contemporaries, such as *NSYNC and 98 degrees, disbanded years ago, making Backstreet Boys the only group still standing after the implosion of the power pop era.
Even though the group is about to release their fifth studio album and they are planning to embark on a world tour, there is one notable absence. Last year, Kevin Richardson decided to leave the group in pursuit of other interests. There is no ill will after his departure, explained fellow Backstreet Boy Howie Dorough. “He’s at a great place in his life, and we’re at a really great place with him right now,” Dorough said.
The boys said they are not only at a great place with each other, but they are at a great place musically as well. “We’re really proud of this record,” said AJ McLean. While making Unbreakable, McLean said, the group wanted to be one the edge while remaining true to the sound they’re known for.
Nick Carter agreed saying, “Music comes in cycles. We stay in our lane and at the same time we strive to do something new.”
The ‘something new’ comes in the form of collaboration. While recording Unbreakable, the group enlisted the help of various songwriters and producers, including *NSYNC alum JC Chasez. After working with producer and songwriter Max Martin on several of their past releases, Backstreet Boys switched gears and brought Dan Muckala to the helm. This new collaboration, the group said, was extremely helpful during the long process of recording.
“We wanted to break out of the mold,” Carter said. “We pushed Dan to a new direction he wasn’t used to going.”
Although the Backstreet Boys are very pleased with their new album, they are well aware that album sales may not match their previous triumphs. However, considering that they have previously sold over 75 million albums worldwide, their niche within the pop culture pantheon is certain. The group said that record sales aren’t the most important thing, and that quality has always been more important than quantity.
For Littrell, the reason the Backstreet Boys are still in the game is simple. “We’ve missed each other, we’ve missed performing and we missed traveling; it’s in our blood.”
Unbreakable is in stores October, 30th. Go here: Backstreet Boys
Mountain Heart Bluegrass Heaven
By Jane E. Powell
October 2, 2007 - Mountain Heart’s acoustic bluegrass is true to tradition and adds a new twist with flair.
I was invited to a intimate gathering of bluegrass fans to listen to Mountain Heart’s vibrant music; showcasing their upcoming new release "Road That Never Ends ~ The Live Album." The crowd was a mix of music business professionals and bluegrass artists on Rural Rhythm Records. Many were participating in the 2007 International Bluegrass Convention during the week.
Mountain Heart is an exceptionally wonderful bluegrass band. There are six members in the band: Jim Van Cleve, on fiddle; Barry Abernathy, on banjo; Josh Shilling, on guitar; Clay Hess (the newest member of the band) on guitar; Jason Moore, on upright bass; Adam Steffey on mandolin and each person sings vocals. Most of the band members took turns at the lead and sang with all their being. They performed numerous selections from their "Road That Never Ends ~ The Live Album." I’ve never seen any group of performers actually become the instrument they were playing, but this group just kept us mesmerized to the sweet sounds they were producing. The new album contains four new songs as well as popular songs that Mountain Heart fans will enjoy hearing a live version of. It was recorded at The Ark located in Ann Arbour, Michigan on March 26th of this year. Band member Jim Van Cleve produced the new album. This band consists of members who previously have won Grammys, ACM, CMA and IBMA accolades and awards; talent is not at question here at all, they've got it!
To be so close and literally feel the music as they sang "The Gospel Train" a cappella, did a blues based song, which added a twist to the expected bluegrass sounds and to the toe tapping instrumental "#6 Barn Dance" can only be described as bluegrass heaven. This is a band that will become just as legendary as Bill Monroe is. Go here: Mountain Heart
A side note: I saw Mountain Heart perform at the famous Grand Ole Opry the following Saturday night and it was a sensational televised performance broadcast on the Great American Country channel. Try to catch a rebroadcast if you can.
Mountain Heart Jim Van Cleave Barry Abernathy
Mountain Heart jams Bluegrass heaven with Mountain Heart
© 2007 Photos by Jane E. Powell
Atreyu, Haste The Day, It Dies Today & So they Say in Concert
By Jane E. Powell
September 29, 2007 - Atreyu, Haste The Day, It Dies Today and So They Say rocked Rocketown
in Nashville as only hardcore metal can.
So They Say is a Saint Louis band and they opened the floor of the main stage with a ferocity. Band members Joseph Hamilton (bass guitar, vocals), David Schroeder (guitar, vocals), Justin Hanson (drums) and Nicholas Walters (guitar) really knew how to warm up the crowd and played basically on the edge of the stage; getting as close to the fans as they could. Metal rips and riffs filled the air with precise percussion pounding out the beats to the music. So They Say is on Fearless Records and made a very nice introduction to the night ahead. Go here: So They Say
David Schroeder ~ So They Say Justin Hanson ~ So They Say
It Dies Today is a Buffalo, New York based band and its on the roster for Trustkill Records. Jason Wood is lead vocalist and the tones of his voice rattled the walls with his hardcore sounds. Any metal band today would love to be on Trustkill, as its one of the more predominant metal labels. "Severed Ties Yield Severed Heads" was the first song they sang and the crowd began to mosh in the pit. The band interacted with the fans by having them split into two groups with a ten foot gap and then with next song they slammed into each other creating a huge mosh pit. Males and females joined in the fun of moshing. Go here: It Dies Today
Jason Wood ~ It Dies Today Nick Mirusso ~ It Dies Today
Screamo from Haste the Day brought out the head bangers in
full force. Raised hands and nodding Mohawks was evidence enough that hardcore
metal had found its home.
"White Collar" was a song from their most recent release "Pressure The Hinges." Most of the fans recognized it at once. They played the Warped Tour this year along with Atreyu and It Dies Today. Haste the Day and It Dies Today are currently touring nationally with Atreyu. This Indianapolis band is turning heads this year. Go here: Haste The Day
Haste The Day in action!
Atreyu is one of the most well-known hardcore metal bands in the U.S. today. They just released a new album called "Lead Sails, Paper Anchors" on Hollywood Records in August. This is their debut release on Hollywood. Previously they were on Victory Records. Atreyu has California roots and has been on the cover of "Revolver" magazine. Alex Varkatzas and Brandon Saller are experts at going from hardcore sounds to melodic metal tones. Dan Jacobs brought forth some of the most ear shattering guitar solos ever. He can bring the heavy into a show, as no one else can. "The Crimson" and "The Right Side of the Bed" are two of Atreyu’s most well-know singles, both were some of the highlights of the night. At one point guitarist, Marc McKnight held his bass over the barrier, enticing fans to touch it and perhaps play a little air guitar. Encores were demand to the chanting of the fans calling out "Atreyu" over and over. Soon Dan Jacobs came out, then followed by other band members. Playing a Bon Jovi classic "You Give Love A Bad Name" and "Lip Gloss in Black."
Afterwards, Atreyu had a meet and greet with their devoted fans, signing autographs and CDs. Atreyu seemed to enjoy it just as much as we did. Go here: Atreyu
Alex Varkatzas Dan Jacobs Marc McKnight
Travis Miguel Atreyu's axe row Alex
* Atreyu's Set List:
1. Bleeding
2. Bull
3. Crimson
4. Creature
5. Someones
6. Blow
7. Ex's and Oh's
8. You Eclipsed
9. Doomsday
10. Honor
11. Right Side
12. Shred ~ Jovi ~ Lip Gloss
* Transcribed from actual set list
©2007 Photos by Jane E. Powell
Blues Best in the Boro
By Jane E. Powell
September 14, 2007 - The blues couldn’t have had a better night at the 2007 Boro Blues Fest. A family oriented event, people of all ages gathered in Patterson Park to relax and be entertained by 11 blues artists. The event was sponsored by the legendary Lead Belly Foundation. This organization takes its name from one of the founding fathers in blues and encourages educating the public to blues music. Another prominent sponsor was the Music City Blues Society. They were predominately responsible for recommending the local blues artists that came to the event and performed.
Now for the music, Friday’s night line up included: Vicky Carrico, The Jake Leg Stompers, The Boomers, Max Johns and Jack Pearson. What a night of emotional music, to the sounds of slide guitar picking and harmonica and a air of family friendliness; these artists knew how to make the music their own. Pearson was the head lining act performed on his Les Paul and slide guitar with skill, his wife plays the bass guitar in their band. Pearson was once a Murfreesboro native. He made that night his own, taking the twists and turns of the melodies with ease and I don’t think I’ve ever heard a finer guitarist.
The Boomers Max Johns Jack Pearson Mrs. Pearson
Saturday night line up consisted of the following artists: James "Nick" Nixon and the Delicious Blues Stew, Civil Service, C.J. Vaughn and Hwy 58, Frederick "Red" Neal, Miranda Louise and Richard "Sweet" Waters and the Blues Boyz. So night two, took the same light of night one and it was moving me to the max. Miranda Louise was so incredibly intense with her vocals ranging to the very depths of her soul. She mentioned during her set that she was in the studio in Nashville and the Jordanaires were working with her doing backing vocals for her upcoming new album.
One lady sat near me both nights in the front lawn chair row, center stage, mind you and she knew every singer and band and talked to each and every one at some point during the night. This goes to show you the dedication of blues artists fans! It was a special night and will long be remembered. Next year should even be better. Our thanks to all those in the Boro making this festival available for the community! Family times are important and music should always be a part of our lives! Go here: Boro Blues Fest
A harp playin' blues man Frederick "Red" Neal
© 2007 Photos by Jane E. Powell
Book Review: The Heroin Diaries
Written by Jessica Baird Jacket photo courtesy of Susan Blond Inc.
September 15, 2007 - After years of decadence and self-destruction, Nikki Sixx, founding member and bass player for Motley Crue, is a true rock ‘n roll survivor. In his new memoir, "The Heroin Diaries: A Year in the Life of a Shattered Rock Star," released Tuesday, Sept. 18, and companion CD with new band Sixx A.M., released in August, Sixx reveals the horrors of drug addiction amidst the height of musical success.
"The Heroin Diaries," co-written by music journalist Ian Gittins, is composed of Sixx’s journal entries between Christmas of 1986 and Christmas of 1987. The journal entries give "The Heroin Diaries" an unprecedented, unparalleled and unapologetic look into the mind of a musician spinning helplessly out of control into the depths of addiction.
At times heartbreaking, at other times repulsive yet always honest, readers may be surprised to find themselves rooting for this strung out anti-hero. Whether or not the reader is personally affected by addiction, it is virtually impossible to not be invested in Sixx’s struggle.
For longtime fans of Motley Crue, one of the most successful bands of the 1980s and undoubtedly the most infamous, tales of Sixx’s addictions are nothing new. Along with band mates Tommy Lee, Vince Neil and Mick Mars, Sixx divulged many of their wild escapades in the group’s bestselling autobiography "The Dirt," released in 2002.
"The Dirt" ran the gamut in terms of shock value, but "The Heroin Diaries" is much more than a cautionary tale of debauchery, drugs and rock ‘n roll. It provides a fly-on-the-wall look into the life of a musician with millions in the bank, who performs for millions of fans on the road, yet is only fulfilled by drugs.
A rebellious spirit since his father abandoned him at an early age and his mother sent him to live with his grandparents, Sixx was eventually expelled from school for selling drugs. He went on to become the principal lyricist for Motley Crue, composing lyrics as raucous and rebellious as he was. In a recent interview with Blender magazine, Sixx said the lyric he is most proud of is from the song "Primal Scream." "If you want to live life on your own terms, you’ve got to be willing to crash and burn."
This lyric could serve as a mantra for Sixx in his times of crippling addiction. As contributing writers in "The Heroin Diaries" point out, Sixx did what he wanted, when he wanted, regardless of the consequences. These contributing writers, which include each member of Motley Crue along with former tour managers and ex-girlfriends, provide an interesting perspective from people peering in from the sidelines, helpless to save Sixx.
Whether a longtime fan, or simply curious, "The Heroin Diaries" is a truly addictive memoir.
A portion of the proceeds from the sale of the book will be donated to Sixx’s charity "Running Wild in the Night," which helps to fund creative arts programs around the country.
Little Big Town’s Energy Electrifying
By Jane E. Powell
May 8, 2007 - Little Big Town was making waves for the 9th Annual Grammy Block Party in Nashville, TN. Recently recognized as the Academy of Country Music’s new vocal group of the year, they made seasoned music professionals stand up and take notice during their set. They’ve been a band for the last six years and this past year with hits such as "Boondocks" under their belt and hot videos on CMT they are climbing the wall of success with vigor. Band members Karen Fairchild, Kimberly Roads, Phillip Sweet and Jimi Westbrook can all sing lead and take turns doing so. The two male members of the band play guitar and have some fantastic band members backing the foursome as well. Roads is expecting a child this year and looked cute as ever in her red and yellow sun dress on stage. During their performance they also played a couple of Lindsey Buckingham covers that everyone could sing to. All four band members started singing in church as children, then in college and all wanted to make it professionally and they certainly have. (I remember volunteering to be a seat filler for a country video awards program in Nashville in 2002 and I was placed beside Little Big Town for the evening. I remember remarking to them, "I love your music and you all are going to get a ACM award someday.") True to my prediction the fans love their music and energy! Go here: Little Big Town
Phillip Sweet Karen Fairchild Kimberly Roads Jimi Westbrook
Little Big Town Collage
The evening slated several other performers on stage. They were John Paul White, Nashvillians Sarah Buxton, Jedd Hughes, The Bees and Colbie Caillat. Caillat is touring with The Goo Goo Dolls this summer. Good music and good friends what a great combination.
Little Big Town’s Set List: The Bees Colbie Caillat
1. Good As Gone
2. Bones
3. Little More You
4. Bring It On Home
5. Welcome 2 Family
6. Stop Draggin’
7. Stay
8. Live W/Lonesome
9. Wounded
10. Lookin’ For A Reason
11. Go Your Own
12. Boondocks
*Transcribed from original set list
© 2007 Photos by Jane E. Powell
Cinco De Mayo At The Boro
By Jane E. Powell
May 5, 2007 - The Boro has often seen holidays come and go over the years and this Cinco de Mayo in Murfreesboro was no exception. I went to see my friend Steve Cross’s band "Tigers Con Queso." They had a new release available for sale, their first and I was anxious to see them play and hear their sound. Steve is the drummer for the band and he has a fast and ferocious attack on the skins evidently without any hesitation to make those cymbals crash. He’s been playing drums since sixth grade. Another interesting point about the band, the front man is former solo artist, Casio Casanova (I’d seen him play a number of years ago with his unique brand of electronica and his bubble machine at the old Red Rose). Casio is now Casio Con Queso. Actually each band member surname is Con Queso. For someone who had never heard the band, their name could be deceiving as they do not play Hispanic music at all. They did get into the scheme of the holiday by donning sombreros and a cool pinata of a colorful donkey was filled with candy and "other" items. Their music is quick and up tempo and indie through and through. Their new EP "Unleash The Fury" is a mere 12 minutes in length, but depicts the band beautifully and grows on you with each listening. My favorite song is "Sleep," which clocks in as their longest at just over three minutes. Go here: Tigers Con Queso
Casio Con Queso Steve Con Queso Thomas Con Queso
I have to mention another band on the itinerary that evening and adding an air of fun and very festive were the Zombie Bazooka Patrol. They came racing out of the back of The Boro full speed ahead dressed in tattered clothes and painted faces. Their dark eyes and white glowing skin reminded me in appearance and musical styling of the Misfits. They describe their music as rockabilly, folk and other. Their tongue in the cheek attitude and lyrics were fun and they really are interactive with the audience. They enticed them to come down on the dance floor and do the Zombie Shake, which by the way is also the title to one of their songs. Well, it was a bit different than the typical Cinco De Mayo, but hey, it’s a college club and what better way to have a little fun. I’m looking forward to next year’s celebrations! Go here: Zombie Bazooka Patrol
Spy Zombie Lieutenant Zombie Spy Zombie Toxic Zombie
2007 Photos by Jane E. Powell By Jane E. PowellApril 28, 2007 - The Features presented new music from their forthcoming album at the Rock For Arthritis benefit sponsored by the A.O.P. sorority. The night air was perfect in Walnut Grove, an out door stage on the campus of Middle Tennessee State University’s campus was the setting. An enthusiastic crowd of fans pressed in front of the platform stage savoring the band’s indie rock pop music. Matt Pelham, lead singer of the band is a clever songwriter and his new songs were well received by all. The Features continue to be a popular group among the college crowd and they know how to interact with the fans, enticing them to clap their hands to the rhythm on certain numbers and also noted at any Features local concert; fans know each and every word to the songs released on earlier CDs.
Matt Pelham Rollum Haas Roger Dabbs
The Features will soon be touring nationally with the Kings of Leon, a regional band from Wilson County that has charted on Billboard and has a tremendous following in the U.K. The Features opened for KOL a few years ago on a U.K. tour and just by checking their MySpace site you can find how much of a fan based they developed among the Brits while there. In my opinion The Features only get better and better, the new songs were similar in styling to their Exhibit A release but a few had a harder rock sound than I’ve seen them perform before. The Features came back on stage for a double encore for the screaming fans and performed "Gloria" and "Blow It Out." Go here: The Features
Mark Bond The Banner
College Radio Brings Diversity
By Jane E. Powell
April 14, 2007 - College radio stations merge for mutual support. WMTS 88.3 FM and WRVU 91.1 FM have much in common, both offer diversity in music and allow students to expand their broadcasting skills. Both universities met at the 5 Spot in Nashville and numerous bands gave performances and their proceeds in support of student run airwaves. I arrived well into the benefit, but was fortunate to see the last three acts, The Comfies, The Ascent of Everest and Slow and Steady Winner. The Comfies are a power pop band that is on a Georgia based label, but lead singer Ben Harper hails as a grad of MTSU and a former member of Feable Weiner. Harper and his bandmates really put the emotion in motion and patrons found their musical charm irresistible. Smiling and clapping their hands in rhythm to their music. Most of their set was from their most recent release.
Ben Harper of The Comfies The Ascent of Everest
The Ascent of Everest was an interesting group. I found them to be on the experimental side of music. They played instrumental music with precision and emphasis on the cello and violin. Vandy kids and Blue Raiders seemed to enjoy their relaxing style and its lulling effects seemed to prolong their set a hair.
Slow and Steady Winner was the headlining act and a bit surprising, as they are again a more experimental style and nature in their music. They are more technical oriented as their drummer incorporates the use of a lap top computer and software that enables him to manipulate electronic sounds into their music. All in all, it was a good night of music for a great cause, bringing diversity in music to the airwaves! Yes, it was a night filled with a varied genre of music and represented college radio very well. If you've never tried college radio, you'll find its an ever changing course and the future of music can be found in its mists. Although, you may need to venture from one dial on the FM radio to another to find it; I think you'll enjoy the journey.
Laptop music! Slow and Steady Winner
© 2007 Photos by Jane E. Powell
Smooth Sailing for Decemberists
By Jessica Baird
April 6, 2007 - Inventive lyrics and innovative musicality have made The Decemberists one of the most refreshing bands in recent years. With critical acclaim and loyal fan base in tow, the indie rock favorites wowed a sold out crowd in Nashville last week.
“We play a wide variety of our songs. There are lots of sing-a-longs, and lots of zaniness,” said Jenny Conlee, multi-instrumentalist of The Decemberists, in a pre-show interview.
The self-described "zaniness" is due in part to the epic lyrical landscape on songs such as “The Mariner’s Revenge Song,” off the album Picaresque which was released in 2005. Colin Meloy, frontman and lyricist in The Decemberists, typically writes from a character’s point of view. This take on songwriting helps to make each Decemberists’ song a short story, and each album an unforgettable tale.
“He feels really comfortable [dealing with] dramatic characters,” Conlee said. “He enjoys taking a character and exploring it.”
“The Mariner’s Revenge Song” served as the finale during the group’s stint in Music City. The opening lyrics to the nearly nine-minute song set a scene for two mariner’s meeting in the most unusual of places.
“Our ship’s soul survivors, in this belly of a whale…I guess we’ve got some time to kill,” Meloy sings. With Meloy urging the crowd to ‘scream like you’re being attacked by a whale,’ the audience readily obliged. Swaying in unison from side-to-side, clapping and singing along to this one-of-a-kind sea chantey, the entire crowd showed they are happily on board The Decemberists’ ship.
This adoration prompted one audience member to say, “It’s like I’m at church camp,” after Meloy persuaded the entire audience to sit down and then stand again in a roar of shrieks and applause.
The appreciation was not one-sided, with Meloy calling the audience “sweet and kind,” and Nashville a “miraculous city.” About half way through the show, the group was joined by Gillian Welch and David Rawlings, two of Music City’s most celebrated musicians. The duo, along with The Decemberists, played the title track from Welch’s release “Look at Miss Ohio.”
Another show highlight came courtesy of the band’s most recent single, “O Valencia!” off their latest release, The Crane Wife. The snappy, dance worthy tune tells the story of a pair of star-crossed lovers. Musically the song is a perfect pop confection. However, with lyrics such as, “With your blood still warm on the ground, Valencia, I’ll burn this whole city down,” the song can only belong to a band as unique as The Decemberists.
Thanks to pushing musical boundaries, a devoted fan base and unforgettable live performances, The Decemberists’ ship shows no sign of sinking. Go here: The Decemberists
News!
Gaylord Entertainment Center Changes Name
By Jane E. Powell
April 1, 2007 - According to The Tennessean, Gaylord Entertainment Center has a new name, "Nashville Arena."
Pressure and persistence from the Predators, Nashville’s hot ice hockey team has lead to a new identity. Apparently, they feel the name will make others more aware that someone can secure a naming rights contract. The Metro Sports Authority approved the change on March, 16th; opening the door for a major corporation to buy the rights for a new name. Meanwhile, Nashville gets a free ticket to ride with more publicity for the city until someone bids for the title change. Music fans can rest assured, its still at the same location for concerts though!
Albert Hammond, Jr. Solos During Strokes Hiatus
By Jessica Baird
Albert Hammond Jr.March 18, 2007 - Contrary to rumors within the music world, the garage rock revivalists The Strokes aren’t over.
In their off time, however, their rhythm guitarist Albert Hammond, Jr.’s solo career is off to a critically acclaimed start.
During his performance at Nashville’s Exit/In on Sunday evening, Hammond played nearly every track off of his brilliantly breezy debut album Yours to Keep.
Considering that Hammond isn’t the lead singer or main lyricist for the New York based rock ‘n roll heroes The Strokes, (that title belongs to Julian Casablancas), or the member that dated Hollywood A-lister Drew Barrymore, (drummer Fabrizio Moretti wears that crown), it was especially nice to see one of the "other guys" take center stage.
For the several hundred hipsters in attendance, Hammond’s performance was as quick and as pleasing as his album. In just over an hour, Hammond, along with a skilled four piece backing band, ripped through twelve melodic and rollicking tunes, including the fuzz-tinged show opener "Everyone Gets a Star."
The son of a popular singer songwriter in the 1970s, Hammond was practically born with a Fender guitar in his hand. Aside from the critical accolades and sold out venues that greet The Strokes across the globe, Hammond never expected to branch out as a solo artist.
"I went in to record a song, and I liked it, so I recorded another," he said in a recent interview published in SPIN magazine. "On the eighth song, I realized I had a record."
Although a full fledged LP might not have initially been on the radar for the curly haired guitarist, it has certainly delighted everyone from the critical elite to the devout fans of The Strokes.
David Fricke, a senior editor at Rolling Stone magazine, called Hammond’s debut Yours to Keep, "an album to fall in love with."
This adoration definitely trickled down to Hammond’s fans in Music City on Sunday night. Bobbing their heads and singing along, the attendees soaked up the sun drenched, sweet sounding tunes.
While alternating sips from a cup of Jagermeister to a bottle of beer, Hammond personified the rock ‘n roll archetype of decades past. When keyboardist and backing guitarist Marc Eskenazi told the crowd about an after party, Hammond didn’t miss a beat and responded, "The party’s right here dude." Spoken like a true rock ‘n roller. Go here: Albert Hammond Jr.
© 2007 Photos by Jessica Baird Hammond and Jessica
Tennessee Loves Timberlake
By Jessica BairdMarch 16, 2007 - "Oh, Tennessee, you’re too good to me," said Justin Timberlake during his sold-out show in Nashville this past weekend. The native of the volunteer state was glad to be home. Judging by the deafening screams and blinding flashbulbs, the crowd was happy to have him too.
Wearing a three-piece suit and white sneakers, Timberlake seemed to glide through every dance move, proving that he’s definitely got some Memphis soul.
The stage set was as impeccable as Timberlake’s clothes. Set in the round at Gaylord Entertainment Center, the "sexyback" singer was surrounded by dancers, back up singers and, of course, screaming fans.
Opening with the title track off his recent second album FutureSexLoveSounds, Timberlake’s energy never ceased and his voice remained pitch-perfect throughout his two hour set.
The show was part hip-hop, part dance party and even part revival when a gospel choir was projected onto the large screens which surrounded the circular stage. These screens were especially helpful when sections of the audience would lose sight of the main attraction. Although the set up in the round looked great, it often hindered people’s views of the singing and dancing pop prince.
Halfway through the FutureSexLoveShow, Timberlake took a much deserved break. During this twenty minute intermission, Timbaland, one of the music world’s most prolific and profitable producers took the stage. Accompanied by two other DJ’s, Justin’s right hand man spun samples of many of his chart topping hits, including songs by Missy Elliott, Aaliyah and Nelly Furtado.
"Rock Your Body," the hit single off of Timberlake’s debut album Justified kicked off the second half of his marathon set. The excitement of the crowd never faltered, as they continued to shriek and sing-a-long to such modern day gems as Timberlake’s newest single, "What Goes Around…Comes Around."
As high octane and as powerful as Justin’s performance was, his show opener Pink turned in a dynamic set as well. Just as her dance hit claims, Pink promised to "Get the Party Started."
During this song, which also closed her set, Pink looked like a member of Cirque de Soleil, as she wrapped herself in fabric descended from the ceiling. The singer spun towards the top of the stage, while still belting out her strong and raspy voice. This physical and vocal feat set the tone for the rest of the non-stop entertainment extravaganza.
As the show neared its end, Justin gave back some southern hospitality by saying, "[you’ll never know] how grateful I am and (how much) I love and appreciate all of you." Go here: Justin Timberlake
Something tells me, the audience loves him too.
NEWS! Starwood Closes Doors
By Jane E. Powell
March 4, 2007 - Starwood Amphitheatre is no longer in existence and Nashville is losing one of its best outdoor venues. Opening in 1985 and finding that its final act was an AeroSmith concert on October, 19 2006; fans regret that national entertainers and bands from all genres will no longer be able to play there again . Starwood had a seating capability of 17,137 and Lynard Skynerd filled it to capacity last year. Poor tickets sales for the dated venue seems to be to blame. Apparently, a real estate offer is in the works and the venue's 65 acres may soon become a subdivision for new homes. Go here: Live Nation
Powell's Best of 2006
By Jane E. Powell
December 31, 2006 - It come time for the year of 2006 to end and once again reflect upon the music that the year has brought the world. The music that I have been exposed to in my personal world that is. Granted my world is small, yet promotions and great artists do have a way of making their music most tantalizing and of interest to music lovers internationally. Here are my top choices for 2006.
Number One - Ladysmith Black Mambazo with "Long Walk To Freedom." This album is from Africa and the moment I heard its pristine qualities and its exquisite sounds I knew that I’d found a purity and simplicity that is what truly makes music the international language. Moments of a cappella harmony that defies gravity and seems to float on and on dreamily. It is rich and includes several well-known guests artist that only add familiarity and doesn't take away from the sounds of Africa at all.
Number Two- The Beatles with "Love." What a glorious reworking and of the masters that caused a rock around the world. A beautiful gift from Sir George Martin, a man in his eighties as he crafted once again the sounds of yesterday. All done with the blessings of Paul, Ringo, Olivia and Yoko. The world thanks each and every one of you for this delightful mash up album.
Number Three - John Mayer with "Continuum." What a solid, contemporary album Mayer put out this year. Classic Mayer with all the trimmings. Lots of songs that you must listen to again. Solid song writing, vocals and guitar work.
Number Four - Beck with "The Information." Beck the chameleon has truly offered his fans a real album with feeling. Clever as always the plain jacket includes stickers to make the album uniquely yours and how fun is it to make an album cover! The CD also includes the great DVD video of the songs.
Number Five - The Features with "Contrast." A brief EP but with lots of pounce and great songs. The Features have written a awesome album filled with vivid imagery and looks back on their days with Sony music with a shrewdness that illustrates the inner workings of the music industry at times. Nashville artists with much to offer.
Number Seven - Doyle Lawson and Quicksilver with "He Lives In Me." A wonderful musical journey in gospel bluegrass. Lawson does what he does best on this album and all the elements for some classic gospel standards infused with harmonies beyond compare, make this an outstanding album for those whose tastes run into country, bluegrass and gospel sounds.
Well, this year has been great and I'm looking forward to 2007 in the world of music!
Raconteurs Aren't Side Project
By Jessica Baird
November 19, 2006 - Arriving in Music City via Motor City, Nashville’s coolest new residents thrilled a sold out crowd at City Hall. The Raconteurs, known mostly because of their front man Jack White of The White Stripes, played a blistering set which included all the tracks off their debut album Broken Boy Soldiers, as well as a few covers.
Although all those in attendance were anxiously awaiting the big event (some had been waiting outside in the cold for a few hours prior to doors opening) they were all handed another surprise before the main act.
Opening act The Muldoons walked onstage amidst an air of confusion and questions amongst the crowd. The group consisted of two brothers, ages 8 and 12, with their dad on drums. The initial wonder went away when the little rockers, complete with page boy haircuts, plugged in and played several quick and loose tunes, one of which was a Helmet cover.
For the crowd the smiles stayed on throughout their brief set, and they quickly turned into shrieks of delight and flashing cameras when The Raconteurs sauntered onto the stage. Naturally, each of them possesses the ultimate rock ‘n roll accessory- a persona that oozes hip and cool. Not to mention the fact that with this being the final date on their worldwide tour the group zipped through their set like the well-oiled garage rock machine that they are.
Opening with "Intimate Secretary" and not letting up until the final note of "Steady as She Goes" the crowd kept taking it all in, knowing that each of us were experiencing one of the best live acts around.
Each track of their album translated wonderfully live, but some other unforgettable moments arrived thanks to two cover songs, "It Ain’t Easy" by David Bowie and Nancy Sinatra’s "Bang Bang." Benson tackled and then triumphed with the Bowie tune, which is a track off the classic Ziggy Stardust album.
White turned a song about rejection into an all out rage complete with an unforgettable raucous vocal delivery. "Bang Bang" could definitely be classified as one of those scene-stealing moments.
Speaking of scene-stealing, for a lot of people in the music industry, The Raconteurs were initially known as "Jack White’s side project" or as another rock ‘n roll supergroup. But thanks to Brendan Benson’s powerpop sensibility, and the ferocious precision and persona courtesy of Little Jack Lawrence on bass and Patrick Keeler on drums, both members of The Greenhornes, the spotlight wasn’t just on White but on the group as a whole.
For the 1,200 attendees that cold and rainy night in November, it is very unlikely they will ever be referred to as a ‘side project’ again. Go here: The Raconteurs
Brendan Benson - Nashville Benson and Jessica - Atlanta
© 2006 Photos by Jessica Baird
Kiss Army Reigns Supreme
By Jane E. Powell
November 22, 2006 - I occasionally attend a show put on by a tribute band. I can only say its been a few in my lifetime The Fab Four, The Doors and twice I’ve seen Kiss Army. Kiss Army is very close to the real thing. Actually, I’ve seen the real Kiss once and I still say that it is the best show of any I’ve ever witnessed, the flamboyant dramatics of Glam Rock, the well-known songs and the masses singing along is an experience I’ll always remember. Yet, can a tribute band aspire to be someone or something they are not in reality? The answer is a definite "yes." Kiss Army delivers the feel, the sound and image of a great American band.
Kiss Army played at Bluesboro and the crowd was pleased and into the music. They looked the part down to the shoes (see shoe quiz at end of article). Familiar Kiss classics such as "Christine," "I Want To Rock n Roll All Nite" and "Beth" filled the night air with familiar sounds, as comfortable and worn as my old lounger. The band consists of Yio Darcangelis, Steve Clark, Doug Gery and Bryan Angel. They’ve put on a tribute to Kiss for over 13 years and rumor has it that even the original Kiss band members approve of this show. Actually, the official Kiss website has this band listed under Tribute bands. They tour nationally and we have to give them credit for making themselves as authentic as they possibly can be. The best way I can show you is through the pictures I took at their show. After the show Kiss Army was so convincing that many people stood in line to obtain autographs and chat with the stars. Enjoy and see if you feel the same way I do about the band! Go here: Kiss Army
A. B. C. D.
Answers can be found by scrolling to bottom of page© 2006 Photos by Jane E. Powell
Answers to Kiss Army Quiz:
a. "Gene" b. "Peter"
c. "Paul" d. "Ace"
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