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Explorer’s Club Rocks The House
John Mayer and Sheryl Crow in Concert
By Jane E. Powell
Evan Slamka
From the minute John Mayer entered the stage, girls were screaming and
calling out his name. They were standing in the front row with faces beaming and
radiant smiles from all those under 25 years of age. Clearly, Mayer has made his
mark on the college generation. A fluid guitarist, Mayer easily earned the title
for best guitarist of the night, as he worked his magic on stage, along with his
band, The John Mayer Trio. Mayer has just released a new album entitled "
Continuum" and many of the songs he performed were from it. Mayer has a certain
boyish charm and charisma that is central to his persona with a minute amount of
shyness on stage. Mayer writes the majority of his music and early in the set he
sang "Belief." The lyrics speak of the belief that everyone has within
themselves, somewhat the life force or soul within our selves that drives
mankind to make the decisions it has over the course of the years. What a great
song is "Vulture" the words speak of the challenge to be different and
outstanding, not "just a number." It is filled with mellow chords from the
guitar and keys. The crowd seemed to really enjoy "Slow Dancing In A Burning
Room." Its intro is very distinct and easily remembered. Slow Dancing is
deceptive in musical style with its romantic, swaying motion; when compared to
the harsh realities of a couple whose love is slowly burning away from them.
"Gravity" contains Mayer’s fluid and mellow guitar riffs that give his music a
strong life force. A song that will endure and make a lasting impression on all
that hear it is "Waiting On The World To Change." It speaks of the need for
peace in the world without ever saying the word once in the song. It seems to
fit the time and day we are living in now. Mayer’s now classic "Daughters Be
Good To Your Fathers" was met by an explosive round of applause from the crowd.
Go here:
John Mayer
When a legendary artist and nine time Grammy winner such as Sheryl Crow walks
onto stage, few words can describe the electricity that is generated from the
stage and from the crowd. The presence of this energy is felt throughout the
concert and seems to bounce from stage to crowd and circulates continually as
the music flows from the band. Crow looked fresh on stage dressed in a black
leather vest and black jeans with a narrow brightly colored beadwork stripe down
the length of each leg. Her set was full of major hits that she has earned over
the years. The crowd rose to their feet time after time as she sang tune after
tune. Songs such as "The First Cut Is The Deepest" " Strong Enough" "Soak Up The
Sun" and "Every Day Is A Winding Road" for example. John Mayer joined Sheryl on
center stage to perform "My Favorite Mistake." Another highlight of the evening
and getting lots of buzz prior to show time was the entrance of Keith Urban.
Urban is a major country artist, who recently married actress Nicole Kidman. Crow
and Urban sang two songs together, " Stop Dragging My Heart Around" and "If It
Makes You Happy." Crow seemed to enjoy having the guest artists on stage and it
was evident they had good time when they played together. Altogether Crow
performed over a
dozen songs, certainly giving a generous serving of music to her dedicated fans.
Go here:
Sheryl Crow
John and Sheryl
Sheryl Crow
One can only say, to have been so near the stage and see the smiles of
happiness that Mayer and Crow have when performing their songs is memory that
I’ll never forget.
John Mayer Set List:
Sheryl Crow Set List:
1. Belief
1. Change
2. Good Love
2. Hard To Make A Stand
3. Vultures
3. Favorite Mistake
4. Georgia
4. Anything But Down
5. Slow Dancing
5. First Cut
6. Bigger Body
6. Good Is Good
7. Gravity
7. It Don't Hurt
8. No Such Ting
8. Redemption Day
9. Daughters
9. Home
10. Waiting
1 0. Strong Enough
11. In Repair
11. Stop Dragging Ur Heart
12. Happy
13. Soak Up The Sun
14. Winding Road
15. Real Gone
16. Rock N Roll
* Please note set lists transcribed from original lists
© 2006 Photos by Jane E. Powell
The Clutters Out of Studio
By Jane E. Powell
September 15, 2006- Doug Lehmann lead singer and frontman
for the popular band, The Clutters commented, "We're out of the studio now and
our next album should be ready for release around Christmas time." Lehmann was
at The Features show at Mercy Lounge when I questioned him about their recording
sessions. Go here:
The Clutters
Bang, Bang, Bang Signs Label Again
By Jane E. Powell
August 29, 2006 - Bang, Bang, Bang
announces new record label signing. Bang, Bang, Bang, a southern rock oriented
band announced on their My Space site that they've committed to Warner Brothers.
Earlier this spring the band had reported that they were on Sony Records. Warner
Brothers offered to double their earnings and allow more creative freedom for
this much talked about band. Apparently, they had never actually signed the Sony
contract, but were in legal discussion during the past few months. Bang, Bang,
Bang recently opened a show for legendary Rock N Roll Hall of Famers, Lynyrd
Skynyrd . Go here:
Bang, Bang, Bang
Secret Shows Successful
By Jane E. Powell
August 25, 2006 -The Features return to the stage after a summer
hiatus. Rumors have been circulating for weeks in regards to The Features
performing at a so called "secret" show for family, friends and fans. Two secret
shows were held, one in Murfreesboro at the Grand Palace and one in Nashville at
The Basement. I had never heard of a secret show before, it was exciting to be
told by those with a close connection to the band that a show would be soon held
in late August. I questioned others to see if they had heard of the secret show.
Some said, "yes" while others said, "what?" So to take the initiative, I
e-mailed The Features' website administrators and got a confirmation for the show
on the 25th. Luckily, after quickly checking my e-mail after work on
the 24th, I found a bulletin from the lovely folks at The Grand
Palace, a show was on that evening! Wow! How exciting. A mad scramble and a dash
got us to the Grand Palace show in time to place us on the front row. The
Features were introducing new band member Mark Bond, formerly from the band, De
Novo Dahl, on the keys and also introducing new songs from their soon to be
released EP "Contrast." One full hour of delightful indie pop rock with
some amazingly good songs, done with only the Pelham touch. Many local
Murfreesboro fans were there in the packed out venue. Again, wondering could
there still be another show for the 25th? Had the earlier e-mail been
a typo? It was discussed back in forth with die hard fans. Not one word
mentioned on stage. Hush, hush these shows were. Again, taking a straight
forward approach, I chatted briefly with Matt Pelham and quizzed him about the
Nashville show on the 25th. Smiling brightly, he replied, "Yes, we’ll
be playing around 10 P.M. tomorrow." Now in a somewhat dazed state of mind, two
shows back to back! "I’ll see you tomorrow night." I replied.
Pleased that all had gone well and the music was just as cool as it had
always been with The Features, I went home anticipating the second secret show.
Arriving, hmm..... just an hour early to The Basement, I entered the venue
and waited for the employees to get set up and overheard some conversations,
indicating The Features wanted to play a secret show to introduce their newest
band member and some of their new songs before touring again.
Matt Pelham
Mark Bond
Rollum Haas
Pelham, Roger Dabbs
The band arrived earlier I’d noticed the drums, guitars and keys were already
in place. Just waiting for the energetic Features to arrive and rock out the
house. The Nashville show seemed filled with family members and close friends of
the band. A good hour went by with people chatting and mingling and talking to
others in a friendly manner, much like a family reunion it was. I saw a few
Murfreesboro fans there and of course all the smiles from the faces that had
waited so patiently for the band to go to the stage and I must say, never have I
seen the band members perform with such energy. I believed that they missed
being on stage, just as much as we had missed them and their music. One fan and
I discussed a new song we loved called "I am a Wanderer." It was done in the
tradition of original Features tunes. "Wooden Heart" and "Contrast" were on the
set list. And a couple of more that I will refrain from listing, until I learn
their proper names. The fans sang until their hearts were content and well
satisfied with being united in spirit and music at the show. An aspect, of a
Features show I’ve come to enjoy and expect each show. As I told several
individuals during the night, "There a are few bands that I can truly say
listening to their CDs on the two-hundredth listen is just a fresh and exciting
as it was the first time, speaks highly for a band and places them in my own
personal hall of fame. Go here:
The Features
Music Camp For Girls Growing
By Jane E. Powell
Ali
Tonn, Steph Flipini, Nicole Tekulve
Amy Smith,(l) Brian Carter(r) camper
in studio
camper on drums
Guest artist performers for the daily morning lineup included:
Hi-Tone Hokum, a roots music act; The Clutters, a hot punk rock band from
Nashville; L.H.S.S., a rock act; Happy Birthday Amy, an indie rock oriented
band; Velcro Stars, an indie pop band and Rachel Pearl, jazz artist.
Again, the finale on Saturday night is an amazing experience
for the campers, volunteers and those enjoying the program; as the week’s
efforts are culminated in a professional stage performance. Under the spotlights
and to the tune of girls playing their own original material, 18 all girl bands
pulled off a spectacular show with brilliance. Each band performed one song,
many learning to play new instruments during the week.
Marshall Grant Presents Cash's Guitar
By Jane E. Powell
July 26, 2006 - Johnny Cash’s guitar finds home at the
Musician’s Hall of Fame & Museum. Marshall Grant, the bassist for the legendary
Tennessee Two presented the MHOF with Johnny’s Cash’s guitar that was in use
from 1965 until 1969. During the presentation ceremony, Grant reflected about
his days with Cash and shed more light on the historical guitar. The small
well-worn guitar was one of Cash’s personal favorites. He recorded and played
this particular guitar with the hit songs "Ring of Fire" and "Walk the Line." He
also wrote many other songs while strumming its chords. Grant commented,
"Johnny, always liked the sound of this very small guitar, it was a good one and
well made. Many probably didn’t know this, but Johnny also liked to take it on
stage because he felt the small size would make him appear bigger while
performing." Grant has taken very good care of the guitar and has even retained
the original strings. The finish was worn away by Cash as he picked the
strings over the years. The guitar will take up residence in the display case
inside the museum along with Grant’s upright bass and lead guitar that Luther
Perkins played in their early careers with Cash.
Marshall Grant points to strings
Click to read plaque
Grant displays worn face
Afterwards, at the reception I had the pleasure of
discussing Grant’s close friendship with Cash over the years. Grant reflected by
saying, "I was with Johnny Cash for 26 years and I ‘ve often said no body knew
him any better than I did. We rode in the same car together, slept in the same
motel room, even in the same bed at times, when we were starting out. I knew him
better than Mother Maybell (Carter) or many others in that close circle of
friends ... just because we were on the road." It is still very difficult for
him to talk about Johnny and June at the same time due to the close ties he felt
to them both. He feels Johnny would be proud today to know of his popularity and
reaching the top of the music charts once again.
Grant left Cash’s band in 1980 and then became the manager for
The Statler Brothers. In 2004 he retired from the music business. Grant has
since written a book about his life and Johnny Cash to be available in late
September. Go here:
Tennessee Two
The Musicians Hall of Fame & Museum is one of Nashville’s
newer tourist attractions and it is dedicated to preserving the music history of
performing musicians, producers and in studio musicians. Within its walls you
find instruments and relics from the past until today. All told with an amazing
story. Go here:
Musician's Hall of
Fame & Museum
The Features Add New Keys Man
by Jane E. Powell
July 19, 2006 - The Features change keyboardist quietly.
According to drummer, Rollum Haas and the official Myspace site of band, Parrish
Yaw has left the band and Mark Bond is the new man on board. Fans may not be
surprised, with a drop from a major label taking place this spring changes
within the band were always a possibility. Here is the statement that Haas
placed on the website:
|
Hello everyone. This is Rollum here with a long
overdue update. First of all, thanks to everyone
for sticking with us and staying interested
during all of the transitions as of late. I know
that there's been some speculation as to what
our current situation is, so Ill try to clear
things up as much as I can.
The biggest change is that Parrish is no
longer with the group. Immediately following
Universals decision to drop us, friction within
the group that had been building for some time
came to a head. Everyone tried to reconcile
their differences but no resolution was ever
reached. We had to part ways, but we wish him
the best in his future endeavors.
Our new official member/keyboardist/all around
good guy is Mark Bond, whom some of you may
remember from the band De Novo Dahl. I plan on
doing a candid interview with him sometime in
the near future so everyone can get to know him.
In the meantime, you can hear his fancy skills
on our new songs Contrast and Wooden Heart.
We're moving forward in every way possible and
should be ready to start playing some shows by
late August. We'll do our best to keep everyone
updated on our situation. |
|
|
|
Devoted fans are anxious to learn more and hopeful the new
album will soon be out of the can and into their hands. Yet, I suspect it may be
a while, The Features would probably enjoy signing with a new record label that
can advance the band before they place the new album on the market. Go here:
The Features
Parrish Yaw
© 2005 Photo Jane E. Powell
Uncle Dave Macon
Days
Rhonda Vincent and her band, The Rage were the highlight of the festival.
Saturday afternoon the hot sun shone down on the lawn filled with a mix of ages
from babies to the silver haired enthusiasts. The audience braved the heat and
packed their lawn chairs and hand held fans and enjoyed some of the most
harmonic blending of Bluegrass sounds coming from the main stage from Vincent
and The Rage. Known for a mix of traditional Bluegrass and contemporary sound in
Bluegrass, Vincent did not disappoint. She has a wonderful soprano, that the
lead vocalist must have in order to present the lead in bluegrass vocals.
Vincent spoke of her childhood and days growing up in Missouri in a home filled
with musicians. Vincent commented, "Everyday after school, we would sit down and
play before supper, then later in the evening our friends and neighbors would
gather at our home and play Bluegrass music. I may not be a Kentucky girl, but
this Missouri girl sure knows Bluegrass." The crowd responded by an tremendous
round of applause. Go here:Rhonda
Vincent and The Rage
Vincent played a 45 minute set of songs on stage, some of the songs were "All
American Bluegrass Girl," the title track from her most recent album and her
current tour title. Other classics such as "Drivin’ Nails in My Coffin" and "The
Martha White Theme Song." Vincent has long had for a sponsor Martha White Flour
from appearances on the Grand Ole Opry. Her newly painted tour bus was present
at the festival with colorful Martha White logos covering the body of the bus. I
was able to take a picture of Rhonda entering her tour bus (happened to be at
the right place at the right time.) It is a most unusual bus and worth taking a
look at.
Rhonda Vincent and her Martha White tour bus
Vincent was the 2006 award recipient of the 29th Annual Uncle Dave
Macon Days Heritage Award and was presented to her after her performance and she
strummed a banjo that many notable award recipients have played and is placed on
display at the Murfreesboro Chamber of Commerce.
Later that evening I had a chance to watch the conclusion of the national
champions in the clogging and buck dancing and old-time banjo categories and
hear some old time banjo and bluegrass bands. Yes, it was a Bluegrass and Old
Time music lovers delight and I’m certain to take my folding chair and enjoy
this well planned and organized event every summer.
© 2006 Photos by Jane E. Powell
News!
Bang, Bang, Bang Signs with Sony Records
by Jane E. Powell
Photo 2006 by Jane E. Powell
June 28, 2006 - Nashville's hot rock band Bang, Bang, Bang has
just signed a deal with Sony/Daylight Records according to Movement Nashville's
website. Bang's album "I Shot The King" has spun a path that has lead the band
from Nashville to Los Angles by invitation to showcase their music in front of
label CEOs and Nashville can claim another notch on the wall of success for rock
music. Sony/Daylight's roster includes Cydi Lauper and Good Charlotte. Go here:
Bang Bang Bang
Grammy Block Party Smorgasbord of Sound
By Jane E. Powell
May 9, 2006 - Grammy members and guests enjoy The 8th
Annual Block Party in Nashville, TN. An estimated crowd of over 1000 people
participated in one of the year’s most anticipated events that the Nashville
branch of NARAS (National Academy Recording Arts and Sciences) organization
hosts. It is known for providing exceptional entertainment during the outdoor
B-B-Q and this year was no exception. Those on the line up were Alana Grace, a
New York based rocker that warmed up the crowd clad in a safety-pin covered
t-shirt. 
Eric Church, a country new comer that really knows how to turn on the red neck
sounds with his band.
Take 6, a ten
time Grammy winner, Christian group, with soulful harmonies that were heavenly
and a comparison to LadySmith Black Mambazo can’t be denied.
They were very
smooth. Jo Dee Messina really put on an energetic and magnetic performance and
included her newest single and some of her major hits. Messina commented to the
crowd, "You may wonder why I’m here tonight, I’m thinking of all those
songwriters that belong to this organization." The crowd responded to her show
by pressing towards the stage and singing along with her. Messina also, reached
down into the crowd to shake the hands of some boisterous ladies. Messina is
also gifted to play several instruments during the show, including guitar, drums
and keyboards.
The
headliner for the evening was Hootie and the Blowfish. What a jam band they are!
They played a 13 song set and typical of the band, they play to the fans, once a
child was brought on stage to briefly dance with the lead guitarist.
Hootie changed his guitars with almost each song.
See
Hootie and the Blowfish’s set list
below. It was a satisfying musical evening leaving no one in
this professional crowd lacking for music, as they could enjoy from such a broad genre. Many thanks to the Nashville branch of NARAS and to the entertainers for
a
memorable spring night.
Hootie and The Blowfish Set List:
1. State
2. Time
3. Desert
4. Angel
5. Leaving
6. Let Her Cry
7. I Go Blind
8. Get Outta
9. Darlin
10. Sister
11. Hold
12. Hope
© 2006 Photos by Jane E. Powell
News!
Harper Changes Name and Signs with Label
By Jane E. Powell
May 8, 2006 - Ben Harper is well-known in the Nashville scene,
having graduated from Middle Tennessee State University and been the bassist for
the popular band, Feable Weiner. A Power Pop group that has had successful
European tours and climbed the top charts in Japan. Harper decided to change
gears a few years ago and formed his new band "Harper." Harper has played the
region with some fine Pop Rock and just signed with a new record label, "LiveWire
Records" based in Georgia. Along with the new label, comes a name change
" The Comfies," according to Becca Fishman, promotions manager for the label.
Also of interest, during a recent interview with label mate, Glenn Drennen of
The Rewinds who commented, "the label is looking to sign two really good
Southeastern Indie bands in the coming year and looking for bands to submit
their demos so they can be checked out." Go here:
Live Wire Recordings
The Features Dropped from Universal
By Jane E. Powell
May 2, 2006 - Surprising news about The Features, as the band
has left a posting on their official Universal Records website commenting, "
This past week was one of the most
difficult ever for us as a band. We had to make an incredibly
hard decision that has a direct effect on our future. Earlier
this week our record label offered us a chance to record a cover
song for a large corporation to be used in a commercial. In
addition to using the song in the commercial they wanted us to
put it on our record and potentially use it as a single. We
turned down the offer (knowing the probable consequences), and
our record label dropped us. Needless to say, this came at a bad
time since we were a week away from recording our next record.
At the moment we are weighing all of our options and still plan
on recording next month. We will release another record, we just
are not sure with what record label. We promise to keep you up
to date with new information and as always check back here for
new show dates and content.
This entry was posted on Monday, May 1st, 2006 at 8:11 am and is
filed under
News.
The Features
By Jane E. Powell
May 1, 2006 - Mix Magazine, a nationally noted professional
audio and music production journal recently published an article that featured
three Murfreesboro recording studios. Those studios were Paradox Productions,
Grand Palace Records and Twin Oaks Productions. All three producers were quoted
in the story and gave insight into the creative arts filled community and the
specialties of their own studios. Go here:
Mix Magazine
The Grand Palace Host to Select Bands
By Jane E. Powell
March 2, 2006- The newest venue in Murfreesboro is The Grand Palace. Out - of
- towners or even life long residents might find this upper floor business/venue
hard to find. It’s just off the Square at 128 1/2 N. Church Street and in a historical
building erected in 1843, originally a church. It’s the team effort approach to
an entrepreneurial endeavor from men with a common love of music. These
individuals all have separate businesses, but find the overhead is lower when
sharing a location and profits hopefully are higher. The Grand Palace is the
leading business and is a small specialty collectable record shop. Used vinyls,
including 45s and 33 1/3's and used CDs line the shelves. Just around the corner
is the recording studio and straight down the hall, is a silk screen printing
shop. About twice per month the vacant upper room sheds some light on artists
and bands from around the nation. The setting is intimate and quite frankly,
you’ve probably never been to a place like this before. It has a distinct decor
and vibrant red walls and patterned quilts are the back drop to the intimate
stage setting. It's standing room only in the tiny performance room, but it has
its charm, warmth and the close proximity of the band to the fans is a unique
experience. The setting is best for those acoustic acts, where you want to feel
relaxed and as comfortable as you would be at listening at your own home.
The night of The Clutters show was well anticipated by area fans and I
arrived early as usual to pick my prime photo snapping location for the night.
College aged fans streamed in dressed in the latest punk fashions to the typical
t-shirt and jeans attire. Duquette Johnston was the first fellow to play a set,
his music is Folk based and acoustic in sound. His battered guitar, yielded a
large patch of duct tape under the strings and next to the sound box. His sound
was typical of Folk and his days spent in a jail cell inspired one of his songs, yet, making me think of Johnny Cash lyrically. He really falls more
into the Bob Dylan category of sound through the nature of his lyrics and he
even played the harp on a number or two as well. I particularly liked the song
"Love, Love, Love." Go here:
Duquette Johnston
Lone Official
Lone Official was next on the itinerary. Their band was large, consisting of
six or seven members. Instruments ranged from guitars to banjos, keyboards,
drums and bells. The band has a Indie Rock sound with a tinge of country by way
of the banjo picking incorporated on all the songs. Some music writers are
currently speculating that college music may be veering into this realm of Indie
Rock merging with country sounds. I’ve heard a few CDs recently that would fall
into this sound. They could be right, although I’ve not heard any other
individual comment on this in person, as of yet. Music trends change often and
sometimes repeat themselves into a retro sound. Only the grand master, Father
Time will be able to know the final outcome. Lone Official is pleasant to listen
to, but I didn’t find them striking new waves that night. Go here:
The Clutters came on stage abash of some excited fans and played a tremendous
set of songs, including one new tune that Doug and the band had just finished.
Again, The Clutters are full of irresistible hooks and choruses and many were
singing along. I might make one comparison to The Features. Each band has that
charisma that takes the typical fan into another dimension. The dimension where,
you completely forget where you are at and focus solely on the music and the
rhythm of the beat. Speaking of that comparison to The Features. Tonn breaks
from her keys in one number and offers a repeated hand clapping, much like
Parrish Yaw does in The Features. The fans love this interaction and
participation with the band and it gets broad smiles around the room. Yes, The
Clutters will no doubt be a big item in Nashville this year. Go here:
Doug Lehmann Steph Fillippini
Jake Rossway
So the next time you climb up the long narrow flight of stairs at The Grand
Palace, remember good things start in small spaces. Go here:
The Clutters Set List:
1. Rock & Roll
2. Untitled
3. Clash City
4. Oh
5. Calling Her Name
6. New One
7. New Hand
8. I Wanna Live
9. Fire
10. Worlds Divide
11. Famous
12. Busted Dreams
* Taken from The Clutters original set list
Jetpack Signs Deal with Heatstroke Records
By Jane E. Powell
January 27, 2006 - Heatstroke Records has just announced that
Jepack, a local Nashville Indie Rock band has committed to their roster.
Jetpack has been receiving much buzz around Nashville and the
region for the past year.
must have listened closely, as they are re-releasing Jetpack’s EP,
The Art of Building A Moat and changing the band’s name to Jetpack UK.
The band is known to have a bit of a British sound to their music and was
recorded by the legendary Brian Carter of Paradox Productions in Murfreesboro,
TN. The band consists of Sean Williams, vocals/guitar, Stephen Jerkins,
vocals/guitar/keyboard, David Dewese, vocals/bass guitar and Brian Fuzzell,
drums. The album will be distributed in stores nationally by Redeye
Distribution. This is only the first of several more I expect to sign major
record label deals this year. Nashville rock is breaking out amass from the
underground!
This should be an exciting year for Jetpack UK and look
forward to hearing more about them in Eclectic
Cuts. Go here:
The Katies Rise Again!
By Jane E. Powell
January 28, 2006 - The Katies return to Rock n Roll with a
vehemence.
The Katies are a Rock n Roll band in the truest sense. Uniting
as a band back in 1996, they started playing in Murfreesboro to enthusiastic
crowds and slowly developed a staggering fan base. This lead them down the road
to working with local producers and eventually to the most desired dream,
landing a major record deal with Elecktra. But somewhere, down the road of Rock
n Roll, the path became rocky and tiresome and the band broke up and dissolved,
regrettably to the people that loved their music. Then due to the loss of a
close friend of the band, Mike Mahaffey of Self. They reunited for a special
tribute night at the Exit/In last August to honor their friendship and memories
of Mahaffey. Fortunately, The Katies found that they wanted to play the music
they loved for their fans again and enjoy the pleasure it brings to others.
Sporadically, The Katies are playing again and The Pond in
Franklin was the location for a wonderful night of Rock. The Katies consist of
Jason Moore on lead vocals/guitar, Gary Welch, on Bass guitar/vocals, Joshua
Moore on drums and Joey Campbell on guitar. The Pond was filled to the limit
well before the show began. Once The Katies climbed on stage, there was no doubt
we were going to see heads bobbing in time to the rhythm of classic Rock tempos
and squeals of excitement from the ladies. And that is exactly what happened.
Moore has charisma and oozes the standards known in Rock stardom. He performs
quietly, then within a second, he stamps and shuffles his feet in expression to
the chords and melodies the band is playing. Vocally, his voice has depth and
range, easily expressing the complex lyrics of the songs The Katies are known
for. You can’t take a song of The Katies on a first listen, they are meant to be
heard again and studied to find the deeper, more evasive meanings of life. Jason
can shred a guitar with the best of them, bringing everyone to his full
attention when he goes into a rolling, ripping riff. Gary Welch plays the bass
with a vigor and dangles a cigarette from his mouth as he sings the backing
vocals to portions of the songs. Welch adds a lot of character to the persona of
the band. Joshua Moore pounds the drum heads, keeping the time with precision.
Campbell and Welch paired off in a well synchronized guitar performance on a
couple of the last numbers the band played. Its easy to see that they all are
well experienced on stage. Like a well oiled machine, The Katies may have taken
a sabbatical, but time off did not hurt them at all.
Jason Moore
Jason Moore Gary
Welch
Joey Campbell
According to their website, now being restructured, they are
recording a new album independently and will soon release it. The Katies may be
similar to the mythical bird, the phoenix, rising from the ashes to live again.
Much to the pleasure of their fans! Go here:
The Katies set list:
9. Please
10. Noggin’ P.
11. Shisiedo
12. White L.
* Transcribed from the original list
The Clutters Open for Feable Weiner and The Features
By Jane E. Powell
January 20, 2006 - Winter concert with three of Nashville’s most popular rock
bands, The Clutters, Feable Weiner and The Features are a hot ticket.
The Clutters opened the night with their brand of Punk Rock with enthusiasm.
The Clutters are getting lots of positive local buzz about their band and last
year’s release "T & C" on Chicken Ranch Records. Band members are Doug Lehmann
on lead vocals/guitar, Jake Rosswog on bass guitar, Ali Tonn on the Farfisa and
Steph Filippini on drums. The band has been playing since 2002 and have gelled
quickly as bands go. Their style of Punk reminds of us of the early days of the
genre. When Punk was born it was a lighter type that what we think of today;
lyrics are more easily understood on a first listen and the instrumentation is
cleaner and less distorted than the Punk Rock of the new millennium. Lehmann’s
vocals are strong and he plays with a skillful force without overtaking the
other members of the band. Filippini has excellent skills on her drum kit and
plays with the abandonment of someone who loves music. Again, the mix of the
band is just right and they were a great opening act for the two more
established bands, Feable Weiner and The Features. Go here:
Check
out The Clutters Set list below.
Ali Tonn
Doug Lehmann
Jake Rosswog
Stephanie Fillippini
Josh Watson
Atom Andersen
The Features were the headlining act and took the stage with their usual
professionalism and musical perfection. Older standards and a nice mix of new
material. Once again, we can only speculate some of the new material may be on
the next Features album. Again this was one of the hottest ticket nights of the
new year resulting in a magical evening with approximately 450 were in
attendance for the concert. Go here:
Parrish Yaw
Matt Pelham
Matt
Transcribed as listed on the actual set list.
© 2006 Photos by Jane E. Powell
Miles of Clear June Create New Sound
By Jane E. Powell
Miles of Clear June
January 13, 2006 - Murfreesboro music lovers had to take a
second look because a familiar band has a new sound and a new member. Merging as
a band just two years ago, Miles of Clear June has seen changes come with the
passing of time. First, the addition of more members and then the lost of Seth
Timbs, as keyboardist, with his return to Fluid Ounces, have lead the band to
Jenn Stone. Stone brings a fresh look and the ability to precisely recreate
Timbs sounds when needed, yet has the mastery of the keys and organ to create on
her own.
New is challenging and exciting, takes determination and a strong desire to
pursue the dream of a band. Brent Baltzer is the band leader and primary
songwriter for the group and pushes the band to continue on the path that
started as an idea at a snow covered cabin among friends. The idea emerged to
make a poetic music that contains phrases of words that are simple and honest.
When reading the lyrics out loud to "Golden Rays," " I Am The Moon," or "Broke
Song" it is easy to see the strength of those words and the strong emotions that
pulls the listener into the story of the song. Faces in the crowd seemed to
enjoy the music and like old friends settled in for a night filled with smiles
and good times.
The band consists of Brent Baltzer, lead guitarist and vocalist, Jenn Stone
on keys, organ and backing vocals, David Adkins on percussion and Brian Pitts on
bass guitar. Adkins actually plays with three other bands besides Miles of Clear
June and has been involved with the Boro music scene for over ten years. Stone
was a Fluid Ounces fan who learned of Timbs leaving MOCJ and contacted the band
to gain the coveted slot on the keys.
Brent Baltzer
Jenn Stone
Brian Pitts
David Adkins
Miles of Clear June plans on creating a new CD that will be out sometime
later this year. Filled with new sounds and new songs. The new MOJC will host
less Folk filled material and less of a Country feel than what we have come to
know them as in the past. Miles of Clear June will always make me think of that
determination to create a song regardless of interruptions. Following dreams can
only lead to the pure musical pleasure of creation for art’s sake. And isn’t
that what music is really all about?
Read more about Miles of Clear June under Interviews.
© 2006 Photos by Jane E. Powell
Powell’s Best of 2005
By Jane E. Powell
When reflecting upon the recent music of the past year, I simply thought about
what albums had received the most play in my stereo and granted other albums
would be contenders; music is truly held in the ear of the beholder. The “best
of” in any area depends upon exposure. I’m exposed to much in the way of new
music and unknown artists by the avenue of the radio station I work with. So
with this in mind, here are my best albums of 2005:
1. White Stripes - “Get Behind Me Satan.”
This album simply rocks and Jack White has earned another favorite niche on my
personal play list. Its music is unique and innovative, never lacks in
creativity and takes the listener on a musical ride that demands repeated plays.
“Red Rain” with its tinkling toy piano like tweaking of the ivories is one of
the best cuts with “Blue Orchid” being a great number and receiving lots of
radio air play. Most certifiably one of the finest albums of the year.
2. U2 - “How To Dismantle An Atomic Bomb.”
Bono and U2 have been around just about as long as I can remember and with good
reason. A band that stays consistent in sound and true to their roots can
deliver what their fans want. “Vertigo” is an amazing song, clever with its
introduction “Unos, dos, tres, catorce ” are words that grab and catch your
attention. Another selection on the album, “City of Blinding Lights” is a
classic U2 number and so was most of the album. *Please note the actual
release date of this album was 11/23/04, due to its late arrival in 2004, I've
included within the year that it received the most air play.
3. Paul McCartney - “Chaos and Creation in the Backyard.”
McCartney has done some of his finest song writing in this album. He reaches
back into the days of the early Beatles and finds material that would have been
well suited for the Fab Four. “Jenny Wren” is an excellent song and making its
rounds on commercial radio as we speak. “English Tea” deserves recognition for
the type of song it is and could have been a choice for "Sgt. Pepper’s Lonely
Hearts Club Band." Paul has given us a gift with this beautiful record.
4. Eisley - “Room Noises.”
A debut album and one that has put the band of siblings on the national map. It
is a harmonic pop filled with great material and an easy listening sound.
“Trolleywood” is a fine example of the close harmonies that are found within a
family and giving it a round like effect is very contagious. Hmm, I’ve found
myself singing along with them on numerous occasions this past year.
5. Go Jimmy Go - “The Girl with Fishbowl Eyes.”
A Hawaiian based group and not the first or second CD that they have put out. The
guys have a reggae/ska based sound that is fun and upbeat. It feels like summer
and vacation time. It is solid as it can be and I do think we will be hearing
more from them in the States. Hawaii has kept this secret too long.
6. Beck - “Guero.”
Beck is Beck is Beck. He is a master at change and craftsmanship. This album
tends to focus on the upbeat and has some fine moments of Latino influence with
in its chords. It was well received by college radio and commercial radio.
Again, showing us that quality is here to stay.
7. Pilot’s Lounge - “Pilot’s Lounge.” 
This is a local Nashville band that is red hot. Their debut album is a short
seven song effort and it really rocks. It is well done and has the feel of a
“new” 80's rock band, in the classic sense. They do a fine job on all the songs
and production is good to. “Spies” is the first cut on the album and received a
lot of local radio air play on the biggest rock station in Nashville. “Tease” is
the best song on the album and its lyrics reveal classic Rock n Roll, boys and
girls and well, you get the idea. I really do look for them to sign with a major
label in 2006.
8. Augustana - “All The Stars and Boulevards.”
This debut album on Epic is an outstanding project. It tends to be lyrically a
little on the darker side of life, but the music instrumentally is a bit
deceiving, as it is light and usually of a moderate tempo. It could easily pull
the listener away from the lyrics without much effort. “Boston” is my pick on
the album and I do think they will continue to do well in 2006.
9. The Cry Room - “The Cry Room.”
Another local band that actually would receive my best award for self production.
Chris Gillis is the lead vocalist and really is ideal for this art rock band.
They incorporate the use of a theremin and that is not found every day. Now that
they’ve all graduated from college this year; they are hitting the local scene hard and heavy. I hope they put out another album soon and according to
their website it should be this year!
That is my recap on my favorite picks for 2005. As I said before, to each his
own.
Writer's Profile
Mike McHugh
currently resides in the wintry wonderland that is Cleveland, OH, but attends
school at Vanderbilt University in Nashville. He majors in engineering, although
he may never know why. Mike co-hosts a show on Vandy's student run station WRVU,
entitled "The Kaji Conundrum."
He thoroughly
enjoys anime and the color purple. Before he dies, Mike hopes to see a Cleveland
sporting team, preferably the Browns, actually succeed.
Bright Eyes Conveys Brilliance to Concert
By Shannon Moore
Conor Oberst
©2005 Photo RollingStone Magazine
November 14, 2005 -Well sometimes you get lucky, and
sometimes you don’t. There is a particular experience I had with a band I
idolized (notice the past tense). In July of 2005, I saw Weezer for the first
time at Municipal Auditorium. After I left the venue, I thought I'd convinced
myself that I was satisfied with what had just happened. It’s hard to be
disappointed when, (A) you finally experience one of your “first true
love” bands live and (B) when you’ve spent almost $45 to do so. With that said,
Rivers Cuomo and Co. let me down. Not in the same way I was let down with every
one of their releases that postdated their Pinkerton album, but in a way that
felt worse. I didn’t get so lucky.
With that said, there is this guy, his name is Conor Oberst and he has a band
called Bright Eyes. I pinned him as a mastermind not even halfway into his first
album I ever listened to. For the next five months I fell into a rut, in a good
sense. I arrived at the Ryman Auditorium Monday night expecting a good show, but
the aforementioned Weezer incident had left me feeling slightly apprehensive.
Just because you have a strong connection with a piece of music through the
medium of an album, or what you read in magazines, or even what you see on the
Internet, nothing is ever guaranteed. I left the Ryman that night born-again.
First opener, The Magic Numbers hailing from England. I have to give them
credit. Most opening bands get lost in the excitement during a good show, but
these guys were good. They have a smooth, mellow sound. The first thing that
came to mind was the Garden State Soundtrack, kind of eclectic, but pretty much
the same sound all around. My only complaint is that is just sounded a little
too safe. The second band of the night, Feist, proved more interesting. This
four-piece band has a really intriguing and unique sound. They are probably
eclecticism at its best. I will admit that by this point I was ready for the
headliner, but I had been waiting for this show for about a year. I will
probably look further into Feist, I think it would be worth the time.
Bright Eyes released to separate albums in early 2005. The first titled I’m
Wide Awake It’s Morning, a real folkie, acoustic, Dylan-esque type album.
The second, Digital Ash in a Digital Urn is more like an electric,
synthesized album. I was expecting the show content to consist mostly of Digital
Ash material. I figured it was the easiest answer to a live show. After the
Feist set, stagehands began to drag out almost a million different instruments.
Including, but not exclusive to, a giant harp, a steel guitar, various
keyboards, electric bass, upright bass, a traditional drum kit, an additional
set of drums, and of course Conor’s electric and acoustic guitars. At this point
I knew I was in for something I had not expected.
The lights dim and a girl walks from stage left, sits in front of the harp and
begins to play. Conor follows with an acoustic guitar and plays the opening riff
of a song off the 2000 release Fevers and Mirrors, the entire six piece band
falls in behind him with a giant explosion of sound. They had my attention. The
acoustics in the Ryman are amazing to begin with, but the sound was completely
unbelievable. Surprisingly, the set consisted mostly of older material than I’m
Wide Awake and Digital Ash. Also surprisingly enough, Oberst may very well play
the best sober drunk in the history of "under- the- influence"
performances. His energy, demeanor and performance were all strictly amazing,
even though he could not help but slur his words. He has been called “Rock’s Boy
Genius” and “This generation’s Bob Dylan,” and I whole heartedly believe it.
As the music came to a soft lull and the band walked off stage, the audience
stood in applause, that is to say most of the audience. Not to sound like an
obnoxious purist, or even an elitist (the judgment is yours), but at a concert
like this it is always possible to pick out the kids who attend solely to be in
the scene. These are the kids who did not give the standing ovation. However,
Oberst had a remedy for them, intentionally or not. During the encore he
introduces two friends to the stage who just happen to be Gillian Welch and her
husband Dave Rawlings. I guarantee that the scene-seeking attendees had no idea
or even cared who they were in the presence of. Which I have to say is like
poetic justice. Oberst played two songs with the legendary duo, during which he
expressed his humility for not only playing at the Ryman, but playing with
Gillian Welch. He broke off two of his acrylic nails on his guitar during the
encore, which says a lot. The final song of the night was pretty mind-blowing.
The full band comes back out onto the stage, along with Welch and Rawlings. A
fan in the front row asks for a timpani roll, just as Oberst does in the intro
of the last track on the 2002 release "Lifted "or "The Story is in the Soil,
Keep Your Ear to the Ground." He speaks into the mic. commenting, “I think we
can do that.” So they play out this epic ten minute long song with the noise of
the full band, and that was all the fans needed. I have a feeling it is going to
take me a long time to get over this one. Go here:
Bright Eyes
A Glimpse Into The Features Next Album
By Jane E. Powell
November 12, 2005 - The Features are one of my favorite bands and I tend to try
and see all of their local shows. I have found that not once have I ever been
disappointed in their performance. Those are pretty strong words from a music
journalist like myself; but honesty and truth shall prevail in the world of
music. The Features played at Wallstreet in Murfreesboro, TN and once again to a
sell out crowd. Bodies were shoulder to shoulder in the second floor of the
venue and fans were predominately college aged. Anticipation and speculation
that some of the band’s new songs from their forth coming album had created a
buzz before the show started. Talk about an electric charge in the air!
I luckily had arrived just three and a half hours early to be sure and get a
good spot and chat a bit with friends and fans of the band as well. Coming to a
Features show always guarantees that you will see a friend or two in the crowd.
Matt Pelham
I was thrilled as the lead vocalist, Matt Pelham spoke briefly to me just prior
to the show and I naturally asked about the upcoming album and its progress.
Pelham replied, “We’re still working on it and it is due out in the Spring.” I
quickly asked him, “Why was it taking so long?” Pelham replied, “The songs were
all written and now it was back into the hands of the label.” Hmm . . ., red
tape, as a devoted fan, I realize that quality takes time and well worth the wait,
but the sooner the better when it comes to good music. I and every other person
there that night felt the same way.
Parrish Yaw
Rollum Haas
Soon, the band members were up on stage; The Features consist of Matt Pelham on
lead vocals and guitar, Parrish Yaw on keys, Roger Dabbs on bass guitar and
Rollum Haas on drums. I noticed that Matt was sporting a new and very British
rocker hair cut for the event. The crowd wore those exuberant smiles and pleased
expressions that I have seen over and over. As I’ve said before it is rare for a
response like this from fans in our day and time and to view this and experience
it firsthand is amazing. Amazing may be a huge understatement. I usually take a
few minutes each Features concert and enjoy the looks and expressions on the
crowd as they listen and respond to the songs.
The Features played a very long set, I didn’t set my clock, but probably about a
hour and a half. They played lots of songs from their first two albums and a
good number of new material probably intended for the next album. Most had that
happy, up tempo feel that The Features are known for and one song stood out as
being a bit out of their usual character and more Modern Rock in tone than Indie.
I had a suspicious feeling that perhaps The Features were trying out their new
material on their devoted fans and seeing what response it would have on us.
Well, from the response of the crowd, I believe all numbers could and should be
included on the next album. One song that especially stands out and I first
heard it when they played at the Cannery Row Revival in the Summer was “Gates of
Hell.” In this song, Pelham whistles in perfect pitch and carries the melody to
perfection. A feat that only a few artists have been able to do over the years.
At one point, Parrish Yaws just literally played his keys so hard that they were
moving off the stand they were on. The same can be said for Rollum Haas, the
drummer, what a vivacious approach he has with his drum kit. The current of
electric charge in the air was running rampant. Well, actually each and every
member of the band plays with their heart and soul and merges physically into
their music. Energy from the band and energy from the fans, all in all it’s an
experience you don’t want to live without.
As the evening moved along and the fans began to show their enthusiasm by
jumping in place to the rhythm of the music; the floors literally began to
vibrate. No pushing or shoving by this polite crowd; but they will press forward
to the very edge of the stage and that’s exactly where I was and quietly and
happily snapping away at photos. We all joined in on the choruses and sang
until our hearts were content throughout the course of the show.
Fans jumping in excitement
As The Features finished the night with an encore performance, I gladly picked
up a copy of their set list and obtained the names to the new songs. I will add
that it is written in a musician’s slang; which means any band has a shorter
nick name for each and every song and will shorten the entire song title to only
a few words. This is quicker and easier to use when rehearsing or making out the
official set list for the shows. So, I hope you have enjoyed a sneak peek at the
forthcoming Features album due to be released this spring. Go here:
The Features
Set List:
1. Circus
10. Nebula
19. Meant
2. Exhibit
11. 33 1/3
20 . Late Night
3. Dark Room
12. Martyr
21. Leave
4. Skirts
13. Kari-Ann
22. Hold
5. Concrete
14. Take You On 23.
Man Rock
6. Demons
15. Temporary
24. God Save
7. Foundation
16. Blow
8. Walk You
17. Mosis
9. Million
18. Gates
© 2005 Photos by Jane
E. Powell
Blue
Fringe Brings Jewish Heritage to Music
By Jennifer Maxwell
Imagine if John Mayer had attended Yeshiva
University and formed a band with three harder-sounding schoolmates. You’d get
the Jewish band Blue Fringe. They’re just one example of an emerging musical
genre – the Jewish modern Ortho Rock band.
If you’re expecting to hear a wedding-band rendition of “Hava Nagila” that’s meshugge talk. In a recent interview with the e-zine “Jewsweek” lead singer Dov
Rosenblatt said, “a lot of our friends listen to secular music, and that's what
I like - the Beatles, Counting Crows, Wallflowers and Dave Matthews." And it
shows.
The four 20-something friends include guitarist, songwriter and vocalist Dov,
guitarist and composer Avi Hoffman, bassist Hayyim Danzig, and drummer Danny Zwillenberg. After earning rave reviews in the Jewish press for their first CD,
the 2003 Indie “My Awakening” the boys released their sophomore CD, “70 Faces”
earlier this year. With the musical collaboration of Dov and Avi, the mainstream
press will soon take notice of the band.
On “70 Faces” they tackle such subjects as being the only single guy in your
circle of friends (“Shidduch Song”), the binding of Isaac (“Hineini”), and
reawaking your faith (several songs). All with a bisel of Hebrew and Yiddish
thrown in. Don’t worry if you don’t know a shadchan from a shaytel, the boys
include a handy-dandy glossary. They deftly write about both Jewish themes and
contemporary situations, usually in the same song, or even at the same time.
“Lo Irah” opens the disc confidently. The song, which talks about keeping your
faith, even when it seems God has abandoned you, recalls the Holocaust with the
line “I’ve seen the flames and the damage done.” But never fear, this is
certainly an accessible disc from beginning to end.
If the words of “Shir Ha’Shirim” sound familiar, they should. It’s the first
chapter of Song of Songs, reinterpreted Blue Fringe-style with a funky bass line
and loads of rhythm. Most of the tracks are heavy on guitar solos and light on
lyrics, except “Shidduch Song.” If you ever wondered about the ultra-orthodox
dating customs, “Shidduch” will take you step-by-step through the process in a
fun sing-along tempo. And you’ll pick up some handy Hebrew words. That’s where
the glossary comes in.
The only complaint I would offer is that the songs have a tendency to sound
alike. For a band with less talent, this would be a much bigger problem. The
boys have said in past interviews that they consider themselves first and
foremost a live band. Listening to “70 Faces” it’s easy to imagine most of the
tracks sounding just as solid, or more so in a live setting.
The New Yorkers have so far limited their touring to the Northeast, as well as
select locales like the UK and South Africa. They just completed a short four
show tour through Israel and are currently heading back to the States. To check
on upcoming tour dates and to download tons of full-length MP3’s (including more
than a few exclusive live cuts) from the band, check out their official website.
Go here:
Blue Fringe
Glossary:
Bisel: A small amount, "a pinch of" something.
Meshugge: Crazy.
Shadchim: A matchmaker.
Shaytel: The head covering many married Orthodox Jewish women wear.
Pilot’s Lounge Rapidly Rising in Popularity
By Jane E. Powell
DJ Meets Street Rap Face to Face
By Jesse Rhew
September 1, 2005 - Late one summer night, as I loitered outside a Nashville gas
station, I was approached by a man handing out promotional music samples. I
casually mentioned that I was a DJ at a local radio station and would play the
song on the air if I liked it. The man's eyes lit up and he shoved handful after
handful of promotional CDs into my arms. He introduced himself to me simply as
George, president and CEO of Houston's fledgling ConerStone Entertainment music
label and was in Nashville negotiating with local business about pressing wax
for his artists. Wherever his business took him, he was sure to put some of
ConerStone's music on the streets to give underground DJs and artists the first
taste of what was to come. When I left the gas station that night, I listened to
the D.A.E.V.I.L.s CD and was pleasantly surprised by the quality and caliber of
the artists.
Brothers La-Jean (Jay-El) and Terrance (Sha-Liek) McDowell grew up in
Chicago, Illinois and quickly found a flare for poetry and musicianship. Looking
up to fellow Chicago artists, R. Kelly and Kanye West, Jay-El and Sha-Liek both
decided to take a chance by reaching for their dreams to spread their art as far
as it would reach and thus far, have been very successful in doing so. The
ConerStone website has received e-mails from listeners as far away as Amsterdam!
Often, on my radio show, I'll play the DJ Iceman remix of "We Getz Down." Jay-El
and Sha-Liek's music is often groove oriented, but not to the point of being
completely laid back. "We Getz Down" is a head-bobbing anthem for all youth who
approach their everyday life with a coolheaded but strong attitude toward their
goals. "High Low," the song that is particularly popular in Amsterdam, is a
party track unlike most mainstream party Hip-Hop. This is probably best conveyed
though the recently shot video of the song. In it, the duo rap to each other
while driving down the street in their hometown, Chicago. In keeping with the
song's smooth, fluid beat, the two find themselves atop an abandoned building
with their friends, girls, and people proudly displaying ConerStone banners and
shirts.
These two young MCs have been generating a buzz all across the country,
including a feature interview in HEATED Magazine. Most of their success can be
attributed to their sincerity and fervor. Jay-El feels strongly for his music
and Sha-Liek has written poetry for years.
In a market saturated with "gunz and hoez" rap, this duo reminds us that you can
be thoughtful, as well as carefree and youthful. You can find out more about
them at ConerStone.com. Be sure to check out the recently shot "High Low" video
as well as listen to samples from Jay-El's new album “The Elevation Theory.”
Go here:
ConerStone
DJ Jesse Rhew
Writer's
Profile
Jesse Rhew began as a college DJ in 2002 at
Tulane University's historic WTUL New Orleans (the first FM radio
station in Louisiana and several other surrounding states). In 2003 he
joined Middle Tennessee State University's student-run station WMTS
Murfreesboro. Shows he has been a part of include “Jesse Rude is Down
For That,” “Local Buzz: New Orleans,” “Yes, This is About Fashion,” and
“Dokki Dokki Panic.” He currently attends Tennessee Technological
University in Cookeville, TN and his musical tastes cover Old School
Punk, Dance, Thrash, Math Indie, Loud Indie, Ska/Dub, Old School Hip-Hop
and more.
Broussard Brings the Zest of Louisiana to
Nashvillians
By Jane E. Powell
August 13, 2005 - Marc Broussard brings the spirit of a
Louisiana Saturday night to Nashville. Broussard arrived at the Cannery Row
Revival to a crowd of devoted fans, patiently waiting for his slightly delayed
on stage presence. They certainly weren’t disappointed, once he arrived the fire
and zeal from his Louisiana upbringing was unmistakable. Broussard arrived on
stage and immediately took off his red, white and blue leather sneakers and came
to center stage clad in his sock feet. He offered a warm greeting to the crowd
and jumped into some of his Neo-Soul numbers. Broussard is known for his
ability to capture and entertain the audience and has an exceptional ability to
feel the music as it arrives from those masterful vocal cords he owns.
Broussard intertwines Neo-Soul with classic Rock and traditional R & B sounds to
give his music a wide ranging appeal. Much of his show consisted of songs from
his first major release “Carencro” from 2004. Carencro is the town that Broussard
grew up in Louisiana.
The audience responding positively to those now familiar songs from the album.
“Save Me” got a great response to its Pop infused tones, “Rock Steady” the most
classic Rock/Pop song on the set list was a sure thing and a very poignant
moment was the mournful Blues of “Rainy Night in Georgia.”
Broussard’s final selection of the evening was the break through hit “Home.” It
is a wonderful song and one of the best songs I’ve ever heard recorded, but I
was extremely disappointed in the live version that Broussard performed; where
were those high and resounding notes with force and feeling that the record
contained. Well, it goes to show you that producers can create magic and the
techniques that they incorporate can make it appear effortless. Broussard and
band came back on stage for an encore to the delight of the audience.
Lead guitarist
Bass guitarist Marc Broussard
2003 brought Marc Broussard exposure nationally as he toured with The Dave
Matthews Band, Willie Nelson, Tori Amos, Maroon 5 and Gavin DeGraw to name only
a few. Broussard occasionally plays in Nashville at venues such as Third and Lindsley.
I look forward to spending another evening with Broussard and his
band next time they are in town. Go here:
Marc
Broussard
© 2005 Photos by Jane E. Powell
Southern Girls Rock N Roll Camp
Changes Lives
By Jane E. Powell
August 6th, 2005 - Southern Girls Rock N Roll Camp hosts campers for third year.
The SGRRC is all about music and teenage ambitions. This was the first year that
I had participated in the volunteer work. Basically, I worked with some of the
archiving and researching of the press material before camp. It was behind the
scenes and quiet and serene. I also wanted to volunteer to teach the campers,
ages 12- 18 about recording a live show at the college radio station at Middle
Tennessee State University at WMTS 88.3 FM. As I had just recently started the
webzine, I also wanted to take photos and share my experiences about the camp
with others. My “to do” list was getting longer. But, I could relax because my
class was only one hour at the end of the week and I love doing it. I had the
opportunity to snap as many photos as my digital camera would let me and again
it’s great fun to do. It really couldn’t be work, when it’s this much fun and
I’m sure a philosophy shared by every single volunteer at the camp!
The focus of the camp is teaching the rockers lots of things that would benefit
them when working as a real band after camp was over. The camp is held during
the day and begins with a morning assembly. Each day artists and guest speakers
are featured that bring a first hand knowledge of music to the participants.
2005 brought artists: Beth Cameron of Forget Cassettes, the Indigo Girls, Lisa
Baker, Cortney Tidwell and Atomic Blonde on stage. A very amazing lineup, each
with music from a differing style and sharing personal insight into what makes
their music unique. Guest speakers were Holly Gleason, a media relations expert,
Mary Mancini, political radio host on WRVU 91.1 FM at Vanderbilt University,
Cossette Collier, an associate professor of recording industry at MTSU and SGRRC
founder Kelley Anderson, speaking about Southern women and their historical
impact on Blues and Country music. All of that in just the first two hours of
the day!
The day proceeds with campers going to individual workshops of their choice.
Workshops include: do-it-yourself arts and crafts, music photography, recording,
screen printing, song writing and zine making. I was a recording instructor and
had a wonderful experience as The Features came into the recording studio and
the girls were able to see first hand professional artists recording their
music. Matt Pelham, lead singer for The Features even came back for a second day
to assist with the workshop. Brian Carter, producer of The Features came every
day to the camp to volunteer as well.
Brian Carter, Producer
Matt Pelham of The Features
The afternoons brought instrument classes. Once again, girls could choose from
guitar, drums, keyboard and electronic music, bass guitar or vocal lessons. A
unique point about the SGRRC is that it encourages campers to try to play an
instrument that they have never played before. Although, instrument instruction
includes beginners, intermediate and advanced levels depending upon the
instrument chosen.
Concentrating
at class
Listening at camp
Making music at last
The last portion of the day allows the campers to put their
musical knowledge to use. Band practice! Now, imagine being in the midst of 16
all girl bands. It was a pleasant musical chaos at first. I had the pleasure of
quietly observing each band’s progress as I daily snapped away at photos.
Approximately, half the bands did original material for the final showcase on
Saturday night. Each band was provided with at least two band managers that
guided the conception of the band to its final performance. The highlight of the
week and ultimate goal for the campers was to perform on stage in front of the
audience.
Speaking of the SGRRC Showcase, let’s look at the creative band names that
evolved during the five days of camp: The Hacks, Raze, Raise, Rays (what a play
on phonics), Everin, The Lollipop Syndicate, Banjax Ab Ovo, Panda Penitentiary,
The Most Fun Part, It Burns, Your Mom’s A Concept, Tigerlily, Uh Na Na Na Na,
The Pirettes, Kevin’s Flesh Eating Femmebot Dance Party,
The Sweet Sticky Papers, Candy Coated Nutcrackers and the Existential
Detectives. The vocal class also performed a wonderful version of “Trolleywood”
by the Eisleys and the acoustic guitar class did a fantastic job of plucking the
strings during the evening as well.
Girls Just Want To Have Fun
The Showcase was held in the Tucker Theater and an estimated
crowd of 650 were in attendance. During the auction held at the
intermission, Roger Dabbs, bassist for The Features came on stage for the
raffling of autographed items.
Roger Dabbs of The Features
Directors: Kelley Anderson, Anna Fitzgerald and Cortney Wood
Well, the week of camp went by too quickly, but my fondest
memories will be of seeing the love from the volunteers as they gave of themselves
and the smiles on the faces of the teens on stage. The sense of
accomplishment and pride in their efforts will last a lifetime; as one mother in
the audience shared with me “This is the second year that my daughters have come
to the camp and it is a life changing experience!”
Don’t be surprised if I add band manager to my “to do" list next year. Go here:
Southern Girls Rock N Roll Camp
© Photos by Jane E. Powell 2005
How To Obtain More College Radio Air Play
by Jane E. Powell
August 5, 2005 - I recently taught a
class of young inspiring girls from ages 12 to 18 at the Southern Girls Rock N
Roll Camp, held in Murfreesboro, TN. I felt that the young rockers might benefit
from some of the following simple tips on getting their band's music played at
the local college level. After my past year's experience as a college DJ and
sub-director for the station's music director I have a first hand experience
that often is the best teacher of all. Hopefully, my advice will enable
others to spread their music on the radio air waves.
The following tips are simple, but will help
your band get results. The key is to make it as simple as possible for a radio
station to play your music on air.
Here are my DJ tips:
1. Check the address and contact person at the college you are mailing
your CD to. Keep in mind college stations change music
directors
usually every year. By having the correct name, you can keep
your
CD from gathering dust on someone else’s desk.
2. Take the shrink wrap off the CD.
3. Include a brief one page letter describing the type of music and
any thing you consider unique or interesting about your music.
Offer to do an interview live if possible or over the phone. BTW
Wal-Mart phone cards are only five cents a minute for long distance
and will help stretch the band’s budget.
4. Place your CD into standard sized jewel cases. Small cardboard EP
jackets tend to get lost in the shuffle and often over
looked, which
means not likely to get played on air. Two disc CDs are
harder for DJs
to handle and more to screen and get less air play.
5. Place all the lyrics of each and every song on the liner notes. DJs
have to manually and audibly screen each and every CD before
it hits
the air waves. This is especially important in the genres of
punk and
heavy metal; where hearing each word may be difficult. This
is due to the FCC
regulations and DJs receive stiff fines for playing those
banned
words on the air.
Some even lose their radio programs as well.
6. Make a phone call to the music director at the radio station. It really makes
a
difference. Find out what time they have office hours and try to
make a call
in person, rather than leaving voice mail. Although, make the call
regardless.
7. Leave an e-mail for the music director as well and one to a particular DJ if
you
know they like your type of music. Follow up e-mails on CDs
sent to stations
is a big plus and may help someone in radio notice your band.
8. Avoid explicit lyrics or words. If they are on the FCC banned list, your song
will not receive any air play. As an alternative, bands with
the resources sometimes send radio edits or clean versions to play.
9. Always include your web site address on the jacket. Most bands do, but
occasionally don’t. As many DJs like to include artist
information over the air, it helps expose your band in more detail. Consider
placing a small descriptive label and suggested tracks for play on your CD
before mailing. Many record promoters are paid to do this labeling and a
brand new band can do it themselves.
10. Remember, a live interview with an acoustic song or two can give your band
access to a free demo CD. Many stations record programs live and are glad to provide you with one copy. Don’t hesitate to ask
someone at the radio station. It’s a nice perk and copies can be used to pitch
your band with or put into Mp3 format for your website. Fans love a great
interview.
Well, once again I hope these tips will serve
their purpose and give hard working bands the break they deserve.
The Features Delight Fans
By Jane E. Powell
July 30, 2005 - The Features play to dedicated and
enthusiastic fans. What makes The Features have such dedicated and loyal fans?
It’s their ability to create a song that is memorable and simple. Their music is
described as Pop/Rock and the band members, Rollum Haas on drums, Roger Dabbs on
bass, Matt Pelham on guitar and lead vocals and Parrish Yaw on keyboards have
built a tremendous following of fans. The response from the crowd at the Cannery
Row Revival held in Nashville, TN contained certain elements reminiscent of the
British Invasion years ago. Fans burst into smiles at just their presence in
the venue and stand in a musical ecstasy while they play their set. I have seen
The Features on several occasions and the reaction is always the same. The
electric feel and charismatic surge that flows from the band is simply
sensational. Another comparison between The Features and The Beatles is that
each has had an ability to create a fresh and heartfelt sound; giving Rock n Roll a
new spin.
The music is simple and direct, up tempo and filled with a
happy syncopation. The keyboards bring out short phrases of staccato filled
notes and the bass guitar’s brisk strumming add emphasis to this delightful
experience. The percussion is intense, but not over powering and the lead
guitarist’s solos are intertwined at the correct moments to make an
extraordinary musical vibrancy fill the room. Pelham is the songwriter of the
group and his lyrics are based often on personal experiences. The band’s first
album “The Beginning” EP was written as a concept album about the conception and
birth of his twin daughters and they also inspire several of his songs in their
first full release “Exhibit A.” Universal record label signed the band last year
and “Exhibit A” hit the market climbing to the top of the college radio markets
nationally.
The Features played a slightly shorter set, as they were not the headlining act.
A real crowd pleaser is their song, “The Way It’s Meant To Be.” A song written
about his twin daughters “I just want to hold you and squeeze you tight ...
because I’m yours and you are mine and that’s the way it’s meant to be” are a
portion of the lyrics. The song contains a series of syncopated hand claps,
which entices the crowd to participate by clapping along and singing the
choruses. This adds a charming component to the live show experience. “Me and
The Skirts.” It is a song that begins with a keyboard introduction and a very
rhythmical layering from the percussionist and bass player and backing vocals
from the other members of the band are emphasized. The Features occasionally
interject backing vocals on their songs. Pelham and band mates are planning on
going into the studio in late August and early September to create their next
new album. Pelham performed a new song intended to be cut on the new album that
contained a beautiful whistling segment that really caught the crowd’s
attention. Personally, I can’t wait until the next album is released as I’ve
never found a Features song I did not like.
At the end of the show, The Features quietly and humbly walked off stage and
spoke to those individuals that wanted to meet them. Fans are always important to
The Features; a characteristic that I wish more bands had.
Interestingly, all the band members with the exception of Haas formed as a band
in Sparta, TN in their teens. Once college age, they moved to Murfreesboro, TN
to attend the university and discovered another path that lead quickly to
focusing on their music and careers only. Their time and efforts have paid off
well and the band celebrates success after years of hard work and they continue
making the local scene their home base as they frequently tour the UK for six
weeks at a time. Go here: The
Features
© Photos by Jane E. Powell 2005
© Eclectic Cuts 2005
